Russian Jews. Part One. Before Revolution.

The film restores the panorama of the centuries. Journalistic narration with extensive use of artistic reconstructions, computer graphics, animation shows that the business tradition in the region was not interrupted. She manifests herself in different ways in different eras. A key trick used by different types of screen technologies is animation. Monuments to great people, buildings, industrial structures, landscapes of the Volga and Oka, film and photo chronicles are transformed, change in time and space, acquire a different dimension in order to somehow interact with the present, enter into a dialogue with descendants.

The second film of the trilogy covers the thirtieth anniversary from 1918 to 1948. Unprecedented until that time in any country of the world, a bright and massive Jewish participation in all spheres of state policy and culture.

With the assassination in 1948 of the head of the Jewish Anti-Fascist Committee, Solomon Mikhoels, by the state security, new times begin in the relationship between the Soviet government and the Jews.

The «Eye of God» is dedicated to the 100th anniversary of the Pushkin Museum. It shows how progressive and pro-West Russians can be, when it comes to comprehending the essence of beauty. Ivan Tsvetayev, a village priest's son, the founder of the museum, wanted the new generation of "Ivans" to understand that we are Europe, while Antiquity is our mutual cradle.

The film is about the historical role of Georgians in Russian, and later - Soviet politics, culture and science. The heroes of the film are Bagration and Shevardnadze, Pirosmani and Danelia, Balanchine and Andronikov.

In an exclusive concert for VotVot, the master visits the most diverse periods of his legendary discography.

Leonid Parfyonov travels to Georgia, where he studies how amphorae are made and grapes are crushed with bare feet, and learns why orange wine is slowly conquering the world.