Coming Out

Hasebe Kaori is a rookie movie director. She consults with new screenwriter Kai Chihiro about her movie's screenplay. The script is based on the Sasazukacho Family Murder Case that occurred 15 years ago. That murder case involved a hikikomori man who murdered his younger sister at their home and then set their home on fire. The fire also killed his parents. The town where the murder took place is also the hometown of Kai Chihiro. Both Hasebe Kaori and Kai Chihiro have secrets related to the family murder case. While Hasebe Kaori and Kai Chihiro look into this murder case for their movie, a shocking truth is uncovered.

It is a youth film about the boys in their late teens spend before they become adults. Sho and Tiaga, who grew up in the same neighborhood since they were little, are in their last year of high school. They are also the duo who beat the drums at town festivals. However, Taiga announces that he will not play drums this year to prepare to go to college. Sho, who has no plan of his future, cannot think straight. Like The Blue Bird by Maurice MAETERLINCK, the film tells the story of the youth realizing that happiness is not far away.

Driven to the brink, Natsuki makes a desperate gamble: selling drugs to make her children's dreams come true. Living a double life—mother by day, dealer by dark—where will this dangerous path lead her—?

A sensual drama that depicts the conflict between a chaste married woman and an office lady who is in love with her husband. A masterpiece that thrillingly depicts the destruction of the happiness of a loving couple through the tangle of love and hate between two mad women and a man. Hisae is in the midst of happiness after her husband Mitsuo, who works for a housing builder, built his dream home on the seaside due to his unusual career advancement, but it turns out that Mitsuo is involved in the company's tax evasion. When his colleague Nobuko acts threateningly after discovering the truth, he begins to be controlled by a disturbing shadow.

A silent love story of a young man who wishes to make the dream come true of a young woman who lost her light.

A secretary is introduced to the world of BDSM by her boss. She becomes his personal slave as they take a walk on the wild side of experimentations. This film is based on main actress Rinako Hirasawa’s personal experiences.

Former assassin Daiya has long left the criminal world, but he decides to take up a mission to kill a rival gang boss for a huge payday. The catch: To kill his target at a talent show, he must go undercover and perform in a pop dance group.

Surgeon Asami Hanaoka is in financial difficulty. A gang soon plot to takeover the hospital.

Yuichi and Akie Kanzaki have decided to follow in their father's footsteps and open a hospital. They are excited to start their new life together, but on the night they move in, a beautiful female ghost appears and violently rapes Yuichi and sucks the life out of him while Akie is tied up. After that, the ghost appears day and night. One day, Akie hears a terrible story. What is the purpose of the ghost?

Komasa works at the ‘Hot Lips’ whore house. One day she saves a red-haired woman, Monroe, from a demon that is attacking her. As a thank you, Komasa gets Monroe work at Hot Lips giving blow-jobs and it is quickly discovered that her blow-jobs have magical healing powers. Her fame spreads and soon this pink-haired sexual messiah is curing dozens of sick and handicapped men in her unique way which makes her a true Angel and very popular…

A sensual coming-of-age drama set in Shonan that carefully follows the trajectory of a woman who is swaying in love. Akiho Yoshizawa, who boasts of idol-like popularity, plays a woman who is bewildered by her love that she pretends not to notice when her rival appears unexpectedly. Aki (Akiho Yoshizawa), who works at an Italian restaurant, has been managing the restaurant with Kawano (Hideki Nishioka), who stands alone in the kitchen since the death of his wife, who was in charge of desserts. For some reason, my heart flutters when I see the motion.

Tsukina and Ryouki have been dating since their teenage years. Unfortunately Ryouki has developed a obsession with cleanliness that has left him unable to even touch Tsukina. Eventually agreeing to start therapy for his condition, Ryouki meets Chiharu, a young woman suffering from the same issue as himself, and begins to form a connection. At the same time Tsukina meets a handsome Korean man who shows an interest in her.

Natsuki is a blind woman whose best friend Yoko gets killed by a stalker Mizuno. Oddly enough, she is at the scene of the crime and is the only witness, although she has not seen the killer. In order to cover his own tracks, the killer begins stalking her with the intent of killing her...

Romantic fantasy about the ruckus that ensues after a mother and daughter switch bodies. Director Imaoka Shinji wrote the script for The Drudgery Train and has worked on numerous erotic films. Housewife Suda Sawako (Takaki Mio) is dissatisfied with her husband Kenzo (Haruta Junichi). Meanwhile, her daughter Yasuko (Ishikawa Yumi) is going out with Kitamura Mitsuru (Nagaoka Tasuku), a struggling musician. When Sawako visits Yasuko's apartment one day, her built-up frustrations explode and she gets into a physical altercation with her daughter.

THREE SLAVE WOMEN is comprised of three stories of three women, who share the same slave master. Starring the sexy up-and-coming starlet ASAMI, this film includes some of the best shibari, kinbaku and slave-master scenes ever produced in Japan. All three are in love with Kajiwara, a dominant bondage master who punishes them in intricate and graphic ways. Their separate stories cross paths at a surprising culmination of eroticism, lust and S&M play.

One night, a man named Sakaki gets into the taxi driven by Masayo. He asks to be taken to a desolate stretch of coast. Although Masayo wants to avoid getting mixed up in trouble, she reluctantly starts the car after Sakaki flashes a thick wad of cash. As the taxi drives through the city at night, the two reflect on their respective pasts; both harboring a sense of loneliness, they gradually come to understand one another.