I am from Krajina, the Land of Chestnuts

What can connect a searcher, a neighborhood girl, an artist, five books, five dead and dogs around town.

One of the first post-Independence Bosnian sitcoms. Production started on June 22, 2001 in Sarajevo, Bosnia and Herzegovina. The final episode was filmed in Sarajevo on August 25, 2008 and aired in October. It eventually became one of the region's most popular sitcoms.

Fuke visits his uncle Idriz and aunt Sabira to fix a broken boiler. He soon finds out there's a lot more that needs to be repaired. Idriz and Sabira aren't ready to accept the loss of their only son in the Balkan war, seven years earlier. When Fuke's car refuses to start, Fuke has to stay over in their house. He meets a lot of old friends and neighbors there.

Spanning decades, the film follows lovers Lovro and Nenad and their friends Stevan and Ivan, a group of gay partisans who fought against the Ustashas and Nazis. Sixteen years later, they became renowned filmmakers navigating life in post-WWII Communist Yugoslavia. As they rise to fame, they are forced to create propaganda for the regime, risking everything to protect their identities and each other. In 1957 their sexual orientation raises suspicion, and a communist party loyalist named Emir is assigned to sabotage their careers and lives, a party loyalist hiding his own secrets, whose loyalties begin to falter. The pursuit of freedom becomes a fight for survival for the artists, while Emir's beliefs are challenged. Lush, intimate, and politically charged (and with startling parallels to our current political climate), Beautiful Evening, Beautiful Day is a poignant story of resistance — against oppression, against silence, and for the freedom to live and love without fear.

Story about a forty-something Sarajevo taxi driver named Fudo (Saša Petrović) who decides to take control of his own destiny. Fudo doesn't earn much, so he supplements his income by offering tips to the local criminal syndicate and turning a blind eye to their nefarious dealings. One day, after offering a particularly bad bit of advice to a violent gangster, Fudo is badly beaten. When Fudo's wife Azra (Daria Lorenci) discovers what has happened, she decides to take the couple's infant son and move out. Now determined to win his wife back and restore peace in the home, Fudo decides to go straight. But cleaning up his act isn't going to be easy, because after borrowing enough cash from black market dealer Sejo (Emir Hadžihafizbegović) to purchase a van and then refusing to aid him in any underhanded dealings, the only person willing to cut him any slack is the sympathetic Azra.

Sarajevo, 1992. They are called Ahmed, Lana, Sado, Saba, Sahbey, Beba, Nemanja, Marx, Matan. They live in and between wartimes. They have "nafaka", the destiny which was bestowed on them by God Almighty. They have enough gallows humor and courage to believe in freedom and happiness.

In the 1990s, the Yugoslavia Federation falls apart in bloody wars. Perpetual student Milan, a Serb from a patriarchal community, and Kenan, a Muslim cellist, are a gay couple living in Sarajevo. Their lives, intimate and public, are shaken up by the aggression in Bosnia and Herzegovina, whose devastating consequences unfold in inter-ethnic hatred.

A filmmaker from Austria experiences in a refugee camp in Serbia first hand the distress, anxiety but also hope of a group of refugees from Syria and their longing for a better life in Europe.

Sarajevo, after 11th September 2001. Karim works as deminer in the hills around the city while waiting to be sent to Iraq with his group. His main reason - the money. But a love story with unhappy ending will change his life. It's a tale about a love triangle between him, his best friend Juka and Ivana, girl from Belgrade, but at the same time this is a story about the clash between West and Islam and how one young Bosnian copes with this issue.

Austrian journalist asks her editor to send her to Bosnia and Herzegovina in order to investigate disappearance of girl.

The story of the exhibition that continues to provoke controversies in the former Yugoslavia region, but also a portrait of two artists in a struggle who, in the world of emptiness, still maintain their backbone discipline.