Comrade Chkalov Crosses the North Pole

A parody of the clichés and techniques of the Soviet adventurous comedy genre of the 1950s-1970s. This is a story about three heroes who return to their home city after escaping from prison. Truthfulness and sincerity help the characters find their place in the changed system.

The story about a charming swindler, a girl Sveta, who after an accident turned out to be limited in movement. To get back on her feet, Sveta needs a paid operation. But how to make money if you can not even leave the house? Sveta has an idea! She pretends to be Svetozara, a bioenergy therapist for a small fee, and help people solve their personal problems.

The brave new world of remoteness has created a new creature, the man of the era of self-isolation, and has given rise to amazing stories that would hardly have happened under other circumstances. Entomologist Victor was given a coupon for a Thai massage session by his colleagues, but instead of pleasure, the nerd got 2 weeks of completely unexpected quarantine away from home. Opposition leader Sasha reposted information critical of domestic medicine. The post was read by his brother - an official from the capital's mayor's office - and asked to immediately demolish everything. To feed a family accustomed to daily rib-eye steaks, Swiss ice cream and sushi, traffic police inspector Kogotkov comes up with a cunning plan to remotely bribe a car enthusiast. And Dimon owes Kostyan a decent amount of money, but he is in no hurry to return it. Kostyan hires Vitya, a scoundrel, to go to Dimon and collect the debt.

The black room. Enclosed space. The action unfolds as if slowly. You understand that every word, every gesture of the heroes have a special, secret, as yet absolutely incomprehensible meaning. But you feel: you can't miss a single nuance. There are two or three heroes in each novel. There is a real drama between them, which ends with an explosion. Sometimes figuratively, and sometimes literally. Time is continuous: there is no yesterday and tomorrow.

The author of the zero hit Nikolai Larionov works as a security guard of country villages. But one day his ex-wife Jeanne flies away on vacation and asks to look after their 14-year-old daughter Kasha, whom he has never seen. The teenager is not happy about the appearance of an infantile sloppy father and dreams of getting rid of him by placing him in good female hands. Unexpectedly, Cauchy's idea gives birth to a profitable business — an online dating agency. The new case will not only bring father and daughter closer together, but also help solve their financial problems: Kosha will negotiate with a blackmailer at school, and Nikolai will triumphantly return to show business.

Fyodor is an ordinary guy who discovers a mysterious gift. He is being followed by people in desperate need to find closure from their past. One little inconvenience- they are ghosts. And the only way to get rid of them is for Fyodor to help them find what is holding them off on Earth and help them make a final departure. Things get even more complicated when Fyodor's own father appears on his doorstep. He was only nineteen when he died, and his closure is the fact that he left behind a son that he didn't really get to know.

Russian scientists have created an android policeman. Perfect in all respects, Captain Anna Nikolaevna Korolkevich goes to serve in a provincial city to see real life and become a human. Colleagues think that Anna Nikolaevna is the daughter of the deputy minister, and nothing portends trouble until humanization goes too far.

Our Russia is a Russian sketch show created by Comedy Club Productions. It was written by former KVN player Semyon Slepakov and producer Garik Martirosyan.

Wedding in a provincial seaside town. In the midst of the fun criminal authority Tourist begins to molest the bride, which infuriates the groom — merchant seaman. The bandits and the police decide to plant a sailor, but he runs away and on his quest sent the police, killers, relatives and different people.

Mirror film, intellectual game, tribute to Jean-Luc Godard and "Breathless". The narrative plot resumes the transposed history in post-Soviet St. Petersburg.

A heroes from the first movie now are involved in high politics.

Sasha Zaitsev is a Moscow student. He is like millions of his peers, but also is very different from those around him. On the one hand, Sasha has glasses. And he also has the appearance of a nerd and unrequited love. On the other hand, Sasha has a split personality. No, he is not talking to himself in a foil cap. Just if Sasha is beaten on the head, he “turns” into Fedor. Fedor, unlike Sasha, knows what to do with his desires - immediately execute! Want to cheat neighbor? Clamp your classmate at the party? Grab a jeep? Few people decide on this, but Fedor can do anything.

In this sequel of Lovey-Dovey Andrey and Marina are exchanging bodies again - but this time with their children.

With the money of the gangsters, the director made a film that received prizes at four festivals, but did not raise money. Now he is forced to shoot porn on video.

A quiet provincial town, where cops and bandits coexist peacefully, is shocked by the unexpected incident. On the highway, an unknown Mercedes was shot by an unknown gangster named Old Man. The old man carried with him a whole suitcase of money. Money has disappeared. Everyone suspects everyone, but the main suspicion falls on a woman doctor named Marina, who nobly picked up the wounded Old Man on the road.

Vasily Ivanovich once met with his killer… Collectivism, freedom, stupidity, fun - the main principles of the St. Petersburg underground are filmed with the help of a new myth about the heroic Chapai.