The First Monday in May

Explore Marvel’s rich legacy of pioneering characters, creators and storytelling to reflect the world outside your window. Each documentary, helmed by a unique filmmaker, showcases the intersections of storytelling, pop culture, and fandom within the Marvel Universe.

Child abuse, mental illness, and forbidden love converge in this mystery involving a mother and daughter who were thought to be living a fairy tale life that turned out to be a living nightmare.

A chronicle which provides a rare window into the international perception of the Iraq War, courtesy of Al Jazeera, the Arab world's most popular news outlet. Roundly criticized by Cabinet members and Pentagon officials for reporting with a pro-Iraqi bias, and strongly condemned for frequently airing civilian causalities as well as footage of American POWs, the station has revealed (and continues to show the world) everything about the Iraq War that the Bush administration did not want it to see.

As tuition spirals upward and student debt passes a trillion dollars, students and parents ask, "Is college worth it?" From the halls of Harvard to public and private colleges in financial crisis to education startups in Silicon Valley, an urgent portrait emerges of a great American institution at the breaking point.

An investigation into the disappearance of journalist Kim Wall while on board Danish entrepreneur Peter Madsen's self-made submarine.

In 1900, Sigmund Freud began treating a 17-year old girl he called "Dora." Her parents brought her to therapy after she accused a family friend of sexual assault. Freud's account of his sessions with Dora was the only major case history he published of a female patient. Intercutting his published text with a scripted version told from Dora's point of view, Hysterical Girl revisits this landmark case. Woven throughout are several decades of cinema, Congressional hearings, and media coverage. What emerges is a portrait of the grip that Freud’s theory of hysteria has had on popular culture over the past century and into the present day.

Teen Michelle Carter’s actions shocked a nation — but what really happened behind closed doors?

Unprecedented access to the New York Times newsroom yields a complex view of the transformation of a media landscape fraught with both peril and opportunity.

After he's shot in 1968, Andy Warhol begins documenting his life and feelings. Those diaries, and this series, reveal the secrets behind his persona.

An investigation into the ongoing threat caused by the phenomenon of “fake news” in the U.S., focusing on the real-life consequences that disinformation, conspiracy theories and false news stories have on the average citizen.

Dubbed “The Cannibal Cop,” former NYPD officer Gilberto Valle was charged with conspiring to kidnap and eat women but argued it was all a fantasy. His story made headlines both for its disturbing details and its potential to kick off a trend of thought-policing across the nation. Featuring intimate interviews with Valle and insights from experts, Thought Crimes explores if someone can be found guilty for their most dangerous thoughts.

From the segregated American South to the fashion capitals of the world, operatic fashion editor André Leon Talley's life and career are on full display, in a poignant portrait that includes appearances by Anna Wintour, Marc Jacobs, Tom Ford, Bethann Hardison, Valentino, and Manolo Blahnik.

From director Andrew Rossi (PAGE ONE: INSIDE THE NEW YORK TIMES, THE FIRST MONDAY IN MAY) comes an electrifying portrait of writer and performer Okwui Okpokwasili and her acclaimed one-woman show, BRONX GOTHIC. Rooted in memories of her childhood, Okwui – who’s worked with conceptual artists like Ralph Lemon and Julie Taymor – fuses dance, song, drama, and comedy to create a mesmerizing space in which audiences can engage with a story about two 12-year-old black girls coming of age in the 1980s. With intimate vérité access to Okwui and her audiences off the stage, BRONX GOTHIC allows for unparalleled insight into her creative process as well as the complex social issues embodied in it.

Witness the excitement and drama behind the scenes in the seven days leading up to major live events in the worlds of sports, fashion, space and food.

At the end of 2005, New York's famed restaurateur, Sirio Maccioni, closed Le Cirque, destination of the rich and famous. During 2006, he and his three sons, open a new Le Cirque, taking four months longer and $4 million more than planned. The film follows this process, the new restaurant's opening, and the emotional impact of two New York Times reviews over the next few months. Maccioni, in his 70s, seems tired, chained to his work for his sons's sake; then, the restaurant opens and his indefatigable charm returns. It's a roller coaster ride. At the film's end, Maccioni, with a small Gucci bag on his hip, receives communion in a church in his home town of Montecatini Italy.

Eat This New York is the story of two best friends' struggle to open a restaurant in the food capital of the world. As Billy Phelps and John McCormick suffer through financial crisis, the loss of their chef, and a crumbling relationship, the filmmakers turn the camera on New York City's legendary restaurateurs who prove that dreams can come true. Billy and John's gamble to open a restaurant together takes shape on Division Street, a unique block in Brooklyn that separates the Satmar Jewish community of Williamsburg from the Latino neighborhood of the South Side. During the course of a year, they convert a former check-cashing shop located under the elevated train tracks of the J/M/Z subway lines into a retro speakeasy. But before the restaurant is fully built they come close to bankruptcy and almost call it quits on their friendship.