Various Incarnations of a Tibetan Seamstress

Earth, air, fire and water personified. Made at the San Francisco Art Institute by Michael Wiese and Steven Arnold, their first collaboration. “THE ELEMENTS depicts personifications of Earth, Air, Fire and Water, in metaphor. The bodies of each blending in movement.” –Lenny Lipton, BERKELEY BARB

A journey of the psyche into the world of the unconscious. Made when Wiese and Arnold were students at the San Francisco Art Institute, the surrealistic film is influenced by Dalí, Buñuel and the German expressionists. The film was premiered at the St. Regis Hotel in New York by Salvador Dalí and invited to Director's Fortnight at Cannes.

Although best known for his photography, Steven Arnold also wrote, designed, and directed several groundbreaking visionary films, The Liberation of Mannique Mechanique being the first. Stuart Comer of the Tate Modern (London) said of Mannique: “a macabre, decadent work presenting mannequins and models that travel through strange universes toward possible self-discovery.” Brooklyn-based artist and writer Kate Wadkins in a recent online article observed: “Arnold’s films are dream-like visions of androgynous beings. Their narratives are modern-day fairy tales and reveries about gender — all through the lens of an acid trip.”

A series of erotic vignettes and sexual imagery (mostly of the gay variety) are presented courtesy of The Cockettes (a gay/drag performance art ensemble of late 60s/early 70s San Francisco).