Gamilia Narki

The introduction of this film is set during the time of the Junta (1967-1974) when the main character (Lefteris Dimakopoulos) used to work at the fish-market in Mesolonggi in order to be able to finish his studies at the Polytechnic University. Later on, we watch Lefteris’ life through his relationship with Dimitra, a fellow student. The ups and downs in their relationship during the course of their studies end up in a deadlock, in which they sacrifice their relationship to their quest for success.

One woman's lonely search for the truth about her mother's murder.

Two people, alone in a desolate city. Costas and Anna in Athens. Costas is an engine driver. The trains he drives travel from one end of the city to the other, following the traces of the ancient rivers that were paved over and made into roads. Anna sells ferry boat tickets at Piraeus, the city’s main harbour, the place where the rivers once flowed into the sea. Costas knows Anna. He sees her every morning, waiting on the platform for his train to take her from Thiseion to Piraeus; and he sees her every afternoon, when his train takes her from Piraeus back to Thiseion. Anna doesn’t know Costas. From the window of the train car she looks out at the same desolate city every day, without knowing who’s driving the train. When something happens to turn Costas’s life upside down, he decides to reach out from inside his solitude and talk to Anna.

The coming of age of a young student, through a series of events and erotic-emotional regressions, the same time that his mother is pregnant, without a father, while his boss falls in 'old age. "

A 90-year-old painter, a neuroscientist, and a marine ecology biologist meet in Amvrakikos bay, an ecosystem of great natural wealth and history. Among eels, wet landscapes, and watercolors, the past is recalled on the scale of microhistory, along with the survival conditions of a generation that emerged from the war persistent and resilient.

The forgotten case of the arson of an ancestral tower in Peloponnese, Greece, comes to light with the discovery of a manuscript. The interreligious romance between Eleni and Elmaz-aga, close to the 1821 uprising against the Ottomans, and a parental curse, haunt the history of the family and of the village alike. The folk song of Eleni leads to the awakening of a past that resembles a fairytale.