Strangulation Blues

A gentle and patient travelling camera accompanies sunrise on the Père Lachaise cemetery, and by continual metamorphosis of the visual material shows a break through crossed by a chromatic life inexhaustible variations. A film born from Léos Carax's Holy Motors, with whom I collaborated on a music of Jean-Benoît Dunckel.

A ballet dancer is late for an audition for a show inspired by Plato's Allegory of the Cave. She arrives with her seven-year-old son, Jay, and begs the director to give her a chance.

Set against Paris' oldest bridge, the Pont Neuf, while it was closed for repairs, this film is a love story between two young vagrants: Alex, a would be circus performer addicted to alcohol and sedatives and Michele, a painter driven to a life on the streets because of a failed relationship and an affliction which is slowly turning her blind.

A moving world of spirits and ghosts, condemned to brush against one another without really meeting since they have all emerged from a single perpetual dream: that of a young man who no longer wants to wake up, immersed as he is in this world of fascinating spectres.

Two aging crooks are given two weeks to repay a debt to a woman named The American. They recruit their recently deceased partner's son to help them break into a laboratory and steal the vaccine against STBO, a sexually transmitted disease that is sweeping the country. It's spread by having sex without emotional involvement, and most of its victims are teenagers who make love out of curiosity rather than commitment.

We follow 24 hours in the life of a being moving from life to life like a cold and solitary assassin moving from hit to hit. In each of these interwoven lives, the being possesses an entirely distinct identity: sometimes a man, sometimes a woman, sometimes youthful, sometimes old. By turns murderer, beggar, company chairman, monstrous creature, worker, family man.

This free-form film is a self-portrait, which revisits more than 40 years of the author’s filmography and questions the major stations of his life, while capturing the political tremors of the time.

Pierre ou, Les ambiguïtés (Pierre or, The Ambiguities) is a 2001 three-part French miniseries created and written by Leos Carax, an alternate, extended version of his 1999 film Pola X ('Pola' is the acronym of 'Pierre ou les ambiguïtés'.). Both entities are based on Herman Melville's 1852 Gothic novel of the same name. A writer leaves his upper-class life and journeys with a woman claiming to be his sister, and her two friends.

Three distinct tales unfold in the bustling city of Tokyo. Merde, a bizarre sewer-dweller, emerges from a manhole and begins terrorizing pedestrians. After his arrest, he stands trial and lashes out at a hostile courtroom. A man who has resigned himself to a life of solitude reconsiders after meeting a charming pizza delivery woman. And finally, a happy young couple find themselves undergoing a series of frightening metamorphoses.

In Paris at night, a young aspiring filmmaker grapples with heartbreak after his girlfriend leaves him for his best friend. After a failed attempt to confront his friend, he wanders the streets and encounters a girl who has just been abandoned. Their paths cross at a party, bringing together two tormented souls.

In present-day Los Angeles, controversial stand-up comedian Henry McHenry and internationally renowned opera singer Ann Defrasnoux form the façade of a happy couple in the spotlight. Ann gives birth to a baby girl named Annette, who possesses an exceptional gift that will change all of their lives forever.

In Paris, a young American working as a Michael Jackson lookalike meets Marilyn Monroe, who invites him to her commune in Scotland, where she lives with Charlie Chaplin and her daughter, Shirley Temple.

A descendant of Shakespeare tries to restore his plays in a world rebuilding itself after the Chernobyl catastrophe obliterates most of human civilization.

Since 1995, the Viennale has invited renowned directors to create short, one-minute films as personal contributions to the festival. Ranging from home movies to political essays, musical sketches to abstract studies, these “little films” form a unique anthology of cinematic moments. 20 Little Films collects a selection of these works, premiering together for the Viennale’s 50th anniversary at the Locarno Film Festival.

An omnibus project bringing together acclaimed directors from around the world, each contributing a 42-second short inspired by a dream. Produced by 42 Below vodka, the collection blends surreal, poetic, and experimental visions into a mosaic of oneiric cinema.

A clip by Leos Carax, inspired by his film "Merde" (part of the feature film "Tokyo!'), with Denis Lavant singing in Merdogon, the language invented for the film.