Miki Mol i Straszne Płaszczydlo

Camera going through the rooms one by one, each completely differnt from one another, till it cannot go forward anymore.

Twenty animators from the U.S., Switzerland, Poland and China express their friendship with and love of animation in a series of animated variations on the standard countdown.

The beetle travels through the remnants of pop culture left in space to the Earth.

Abstract animation by Krzysztof Kiwerski, in which what appears to be some sort of maze-like mechanism produces sentient orb-beings that fall into a lattice of cells. Sometimes these orbs encounter one another, producing unforeseen consequences.

The colage presents in a blaze of colours the horse from the famous Shakespearean quote uttered by Richard the Third.

People carrying boards with the letter L unite with people carrying banners with the letter F. The vowel E is formed. They follow the man with the balloon and... fall into the abyss. A man tries to stop them. He rips off his T-shirt with the letter E on it. However, the vowel has left a permanent mark on his skin.

A computer animation in which the camera circles around an architectural structure, only to penetrate its center a moment later. The interior turns out to be an orderly tangle of a huge number of connections. Somewhere here, new energy is born. Electronic, pulsating music sets inanimate matter in motion, and it begins to live a life of its own. The camera closely follows its movements, taking the viewer on a hypnotic journey full of surprises.

Abstract animation.

Following the success of "The Kingdom of the Green Glade" in 1994, the producers created a sequel. The story takes place in the middle of a forest, and the Kingdom is ruled by the wise Queen Bee. The fairy-tale insects resemble human characters in both appearance and character. The story carries an ecological message, due to the fact that the action takes place in a forest.

The main character of the film is a little boy named Marek, who from an enemy of nature becomes its devoted friend. Before this happens, however, fate plays quite a trick on him. At first, however, nothing foreshadows this. Marek arrives in the forest with a school trip. He quickly separates himself from the rest of the children, after which he gives vent to his hooligan fantasy. He destroys an anthill, cuts a tree with a knife, tries to catch a spider. When he fails, he starts chasing a butterfly. He doesn't know that under this figure hides the prince of white and black magic. Wanting to punish the unruly boy, the sorcerer reduces him to the size of an insect. Mark, reduced to the size of an insect, must learn to live in completely new conditions. This is by no means easy.

Geometric CGI animation set to music.

Abstract CGI animation of a morphing chrome matrix against an orange background.

Virtual moving spaces, emphasized by sound, refer to the biblical passage of the people of Israel through the Red Sea. This is the language with which Prof. Krzysztof Kiwerski has been delighting and surprising viewers for years, creating unreal worlds based on the elements we know: earth, water, fire, and wind. Spectacular moving compositions assault the senses with color, light, form, and sound, expressively referring to the Old Testament story known to all.

Scarecrow in a characteristic Polish landscape as a witness to the dramatic events of Polish history. World wars, changes in socio-political systems, civilizational transformations, national dramas - in this animated film take the symbolic form of costumes. Zygmunt Konieczny's dramatic music adds expression to Krzysztof Kiwerski's visual vision.

CGI animation of over a hundred abstract geometric forms.

This animation based on motion land, also used by Kiwerski in his earlier film People of Israel Went into the Midst of the Red Sea on Dry Ground, illustrates dynamic movement, intrinsic to the course of history. Mass, which undergoes constant change creating and destroying new shapes at the same time, is the protagonist here. The Rolling Stones is a symbolic interpretation of civilisations, which rise and collapse, and eventually a reflection on the impermanence of the human fate and empires built by man.