Saturday Night and Sunday Morning

Working-class couple Shirley and Cyril are in conflict over whether they should have children, their problems with 'yuppies' moving into the neighbourhood and outpricing them, and the advent of Cyril's ageing mother's seventieth birthday.

From childhood to fatherhood, Piero learns things the hard way while growing up in a working-class neighborhood of Livorno.

Struggling New York City singer/songwriter Danny falls in love with Ariana, a wealthy girl from Connecticut who tragically cannot hear the music she inspires him to write. After falling in love against the wishes of her controlling mother Victoria, Ariana becomes torn between hanging onto the shelter that Victoria provides and fighting for a love that, if given the chance, might just change her life.

40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes.

When a teenaged girl moves to England, with her brothers and parents into the ancient Canterville Hall, she's not at all happy. Especially as there's a ghost and a mysterious re-appearing bloodstain on the hearth. She campaigns to go back home, and her dad, believing the ghost's pranks are Ginny's, is ready to send her back. But then Ginny actually meets the elusive 17th-century Sir Simon de Canterville (not to mention the cute teenaged duke next door), and she sets her hand to the task of freeing Sir Simon from his curse.