Keshinomi

Shimajiro and friends embark on a journey through the desert to help young Coco reunite with her mother after being separated in a fierce sandstorm.

A man, stacks of rocks, a forest.

Director Isamu Hirabayashi 21st Century Asian Design Competition (sponsored by Kyoto University of Art and Design) Grand Prize Winner

Six Stories based on Six Songs.

This is the fourth movie starring a tiger boy named Shimajiro.

I am a 66-year cicada. There was a big earthquake. There was a big tsunami. There also was a big accident.

Nitobe and Sakamoto are childhood friends who now work at the front desk of a capsule hotel. Nitobe has a particular fondness for philosophy and crustaceans. Sakamoto, meanwhile, is fixated on suicide. The capsule hotel draws a variety of guests, including a Finnish mother who has lost her child, a fugitive woman, and a researcher studying Daphnia. None of their lives ever intersect. They exist, but never cross, like cells in a capsule hotel. The themes of life and death are explored through a fragmentary view of the characters’ lives.

Shimajiro, who helped an injured baby whale Kuu-chan, takes care of Kuu-chan who wants to return to her mother and keeps her in touch. In order to return Ku-chan, who was about to be sent to the aquarium, to her mother, Shimajiro rides on her back and sets out on a journey toward the southern sea.

The cycle of life, in reverse.

Shimajiro to Fufu no Daibōken: Sukue! Nanairo no Hana (しまじろうと フフの だいぼうけん ～すくえ！七色の花～?, Shimajiro and Fufu's Great Adventure: Save the Seven-Colored Flower!) is a 2013 Japanese children's live action/anime film. It's the first film to feature the character Shimajirō. The film is directed by Isamu Hirabayashi and was release on March 15, 2013.

A special Decoder allows people to have conversations with nature.

Two eight-year-old boys compete in a game of childish bravado. Ken is a Ninja, Nito a child soldier from the Congo who was forced to kill his own mother. Their naïve game addresses cruel realities, and they talk about their differences and what they have in common. Accompanied by contrasting graphics, the film explores the types of acts of which humankind is capable.

In the forest, a man is buried up to his waist and repeats an interminable and incomprehensible monologue. His seclusion is about to be disturbed by the arrival of a little boy.

A woman and her child get trapped underground while investigators look for them.

During an extended power outage, the members of a photoshoot begin to test the limits of their consumption.