The Island Funeral

An experimental take on the folk legend of the ghost Mae Nak Phrakanong. This film subverts perspective, telling the story from the viewpoint of the vengeful spirit of a woman who died in childbirth rather than the terrified villagers.

Mary is in her last course of school. She'll confront sudden changes in her life, loving relations and friendship. Based on some tweets of an anonymous girl.

On her wedding night, Sipang's husband leaves his bride hurriedly after receiving a call. That, unfortunately, would be the last time Sipang sees her husband. As the young bride teams up with her husband's brother and his wife, she slowly uncovers facets of her husband's life she never knew existed. With her husband still missing, Sipang launches a desperate search for him.

Facing seizure of their own lands, two families found themselves farming together on the same field, hoping to get through just another rice-farming season like every year. But no matter how much the world is evolving, how much the country is going through economic, political and social changes, they still cannot grasp that ideology of happiness.

A story about three youngsters who are haunted by the spirit of their teen-idol friend, Joy, who died under mysterious circumstances in Last Summer.

The Truth Be Told is an epic-scale documentary that follows three and half years in the life of Supinya, a media activist who was sued by the Shin Corporation for stating that the company had benefited from the policies of the administration of Thaksin Shinawatra, whose family owned the company. The documentary is snapshot of a turbulent period in Thai politics, from the Thaksin years, the anti-Thaksin backlash that arose after Thaksin sold his share in Shin to Singapore's Temasek Holdings, and the military coup that ousted Thaksin.

A lovelorn man overcomes the pain of splitting with his wife with a newfound love, only for his mother and brother to frustrate his happiness.

One of three films commissioned by the Jeonju International Film Festival in 2005. A couple escaped their family to look for a spiritual tree in the jungle. There is a song at night, a song that spoke about an innocent idea of love and a quest for happiness. Worldly Desires is an experimental project where I invited a filmmaker friend, Pimpaka Towira, to shoot the love story by day and the song by night. The story, Deep Red Bloody Night, was written by my assistant who wanted to reprise a forbidden love story in a more romantic time in the past. I picked a pop song, Will I be Lucky? to convey a sense of guiltless freedom one feels when being hit by love. The video is a little simulation of manners, dedicated to the memories of filmmaking in the jungle during the year 2001-2005. -Apichatpong Weerasethakul

A young soldier stationed in the troubled southern Thai region is on his annual leave to his village in northern Thailand. Upon his return, he finds out that his girlfriend has now settled down with a new Western lover. Blaming the situation on the military career he has chosen for himself, he starts to get angry with her and everyone around him. His sister reminds him that forgiveness is not as difficult as he imagines, but that it has to start from within.

In a small province in Thailand, the life of the former Thai veteran, Yong, casually seems like a typical old man. Even though he currently feels unwell, Yong spends every day with the dream of building a tree-house solely with his own hand, and raising an intelligent niece.

Inspired by the case of enforced disappearance of an ethnic Karen activist Porlajee Rakchongcharoen (a.k.a. Billy) who went missing in Thailand near Kaeng Krachan National Park in Petchaburi province, 100 miles (161 km) south of Bangkok. Park authorities arrested the Karen activist on April 17, 2014 for possessing a wild honeycomb and six bottles of wild honey but released him after giving a warning. He disappeared shortly afterward.