One for All

A woman suffering from compulsive-type psychological problems falls for an older divorced neighbour. Will her love be returned? A slow story of confusion and loneliness.

At 30, Zeno's father dies, and he realizes that his youth is almost over. Meeting Giovanni Malfenti, a succesful gallery owner with four daughters, he's impressed by Malfenti's energy, and falls in love with one of his daughters. This relationship helps Zeno find peace and direction.

1989. Amid the collapse of the Eastern Bloc, the largest communist party in Western Europe—Italy's PCI—announces that it'll change its name, vowing to become 'a new thing'. The film follows the debates taking place in various PCI branches across Italy in the aftermath of this historic decision.

At the end of the 1950s in Africo, a small village in the southern valley of Aspromonte, a woman dies in childbirth because a doctor fails to arrive on time. No road connects Africo with the other villages. In the wake of this tragedy, all of Africo’s citizens -including children - abandon their usual occupations and unite to build their own road. Giulia, the new schoolteacher, comes from the North with a mission to teach standard Italian to help bring cultural cohesion with Africo and the rest of Italy. But she will have to contend with the local mafioso Don Totó, who is determined to ensure this the town remains cut off, and thus, under his power.

This is the story of Rosario and Matteo, two man from Southern Italy. Rosario is helped by Luigi to settle in the north. Luigi wants to give Rosario a chance to redeem himself and offer him, at the same time, an opportunity to confront his beliefs with the ones of his son Matteo. Rosario lives in a "commune" and Matteo in a beautiful, comfortable house. They're both introverted and shy and find a common ground: they meet, go out together, become friends and show each other a completely different way of living their lives as teenagers.

A convicted terrorist out on parole meets a man she nearly murdered 15 years before, without recognizing him. He does so, but he chooses to keep quiet and spend time with her—desperate to understand the reasons behind her gesture.

Five stories that intertwine around a mysterious smartphone that allows you to have a copy of anyone's phone. Just enter the number and you immediately have access to bank accounts, photos, videos, emails, messages, even the most intimate ones, and if you activate the camera in spy mode you can observe the lives of others live. A morbidity that pervades anyone who comes into contact with this phone, in the frantic search for the power to influence the lives of others. Thus begins an escalation of linked events in which, without a moment's respite, we will follow the fate of the phone and of those who come into possession of it. The protagonists of the five episodes must confront their most hidden desires and the (in)ability to manage the power of knowledge.

In a parallel universe, live people’s precious consciences. They all feel disheartened, demotivated, and unheard, except for Otto (Francesco Scianna). He is the top-ranked conscience, because his human Filippo (Filippo Scicchitano) follows him blindly, guaranteeing him happiness.

A pair of Italian filmmakers go to Rome to find a star for their first project.

On an autumn night, in the deserted streets of a seaside town, Sara is fleeing from a party, convinced she has witnessed a murder. He finds refuge with Veronica, but does not know that the woman is the lawyer of an important industrialist, the alleged murderer.

A man approaches in a car from the garage of a house, gets out of the car, and stops in front of the house. As if he were a fool, he tries to open the garage, but fails because he does not have the keys. This provokes some laughter from the audience, given the man's awkward and confused attitude. Suddenly, the screen experiences technical difficulties and the entire scene disappears into complete darkness, until signs protesting against cuts to culture appear.

As a little girl, Federica fantasized about having beautiful long hair that would grow back as soon as she cut it, about never-ending cones of cotton candy and about countless adventures that took her to the far side of the world. Now a charming thirty-something-single woman, Federica's fantasies have evolved, adding lovers, stardom, and motherhood to her waking dreams, where Federica continues to press for her everyday life to be as real as the fantasies that invade her. Unfortunately, Federica's daydreams can only provide a meager distraction from the reality she faces. Her career as a successful playwright is heading south, her boyfriend is pressuring her to start a family, a former lover wishes to rekindle an old affair, her sister is barely talking to her, her brother is self-centered and her loving father is terminally ill. And as if to make matters worse, Federica is rich, too rich, and the guilt that consumes her because of it is pushing her over the edge.

A Donatello award nominated documentary following nine Italian survivors of the Auschwitz concentration camp.

A man in his forties has had enough. He leaves his loveless family, uninspiring job and fake friends and tries to find something more. He meets a young woman he falls for, but she puts him on the test.

A man wakes up in a strange place. Peeled walls, a bare, cold and damp room. He doesn't understand where he is. He has severe pain especially in the head, tries to open the door but it's locked, tries to call someone but nobody answers. He is a prisoner. A nightmare begins for him in which he will have to go through a path of understanding to finally get to understand what really happened.