Oondamooroo

A series of surreal short scenes portraying a suburban family and their everyday rituals.

Imagine what it would be like if black settlers arrived to settle a continent inhabited by white natives? In 1788, the first white settlers arrived in Botany Bay to begin the process of white colonisation of Australia. But in Babakiueria, the roles are reversed in a delightful and light-hearted look at colonisation of a different kind. This satirical examination of black-white relations in Australia first screened on ABC TV in 1986 to widespread acclaim with both critics and audiences alike. This is the story of the fictitious land of Babakiueria, where white people are the minority and must obey black laws. Aboriginal actors Michelle Torres and Bob Maza (Heartland) and supported by a number of familiar faces from the time, including Cecily Polson (E-Street) and Tony Barry, who starred in major ABC-TV hits such as I Can Jump Puddles and his Penguin award-winning Scales of Justice. Babakiueria was awarded the United Nations Media Peace Prize in 1987.

The extraordinary story of how the Allies turned the tide in the final months of 1918 to win the First World War.

David Hockney is unquestionably one of the most passionate and versatile experimental artists on the contemporary scene. In the late 1970s the British artist developed a pioneering concept which also changed his perspective on painting – his “joiners”. In this film, the artist himself talks about this photographic approach, a kind of Cubism-inspired photocollage which explores the space-time continuum. Hockney allows the viewer to share in the creative “joiner” process and leads us step by step into the universe of his artistic creativity.

A profile of the Australian poet Les Murray. Shot on location in Northern New South Wales. Featuring dramatisations of his poems and evocative footage of the most unusual landscape. He talks illuminatingly about his life and work.

The true story of the brutal World War II military campaign fought between Australia and Japan in the green hell of the mountains of Papua New Guinea. Told from both the Japanese and Australian perspectives the documentary also explores the impact of the decisions of high command on the soldiers at the front line.