The Drunken Pussycat

Esther and Gustavo are celebrating seven years of happy marriage. Two beautiful children and a comfortable home in a residential area backs the stability of the still young couple, a conventional model of marriage where nothing seems to disturb their harmonious coexistence.

Benito Zamora, a conspirator against the Perezjimenista government, uses Leonor Montes, a young vedette friend of a colonel, to find information. National Security is pursuing Benito to dismantle the plot.

Life changes for an Andean family when oil wealth and a fugitive arrive in town.

Venezuelan comedy directed by Víctor Urruchúa.

Ingrid is a young high school student who due to the impact suffered by the death of his mother, is acting strangely causing concern to her teachers. After a landslide caused by heavy rains, police surrounded the premises of the high school to expel the refugees resulting in the classes suspended.

Commissioner Leon (Miguel Angel Landa) of the Technical Judicial Police is assigned to the kidnapping of a child of the upper class of Caracas. The details of the kidnapping the attention of Leon, as there is no evidence of violence in the child's home, or witnesses to the abduction. Based on that Leon believes that the hijackers knew the boy and soon begins to suspect several young people from wealthy families of Caracas.

The political leader Alberto Carnevali, secretly returns to his country to plot against the dictatorship of Marcos Perez Jimenez. The Intense subversive struggle brings the torture of many of his comrades.

Angelito tells the story of a poor boy who arrives from Maracaibo and, following his grandfather's death, goes to Caracas. Lost in the big city, he is taken in by a charitable institution run by Mother Chepa.

Commissioner Leon (Miguel Angel Landa) investigates the murder of a woman in a population near the capital. The woman was raped before death and the case is complicated when his brother becomes the prime suspect, since it is a priest (Eduardo Serrano). Because of the implications that inquiries might have, Leon is pressured to keep the event as a "crab" (Cangrejo, or a unsolvable case), but he decides to comply with the law.

Adonai is an lunatic poet. He lives in an abandoned neighborhood of Caracas where he runs an underground radio called "Radio Pandemonium", he lives with his mom, his grandmother and a young lady who she calls very endearly, 'whore'. They survive among the corrupt, the death and the rising upheaval of the oppressed.

During a bus ride through the Andes, two seminarians encounter with a woman named Manon. Immediately, one of them falls in love and the attraction is mutual, so they decide to flee to capital city to start a new life. But the love of Manon ambitious drags this man to leave his vocation and commit criminal acts to maintain a life of luxury and extravagance.

A handsome young man is released from jail and goes to "El Pez que Fuma", a bordello in the outskirts of Caracas. La Garza, its middle-aged owner, hires the young man as handy man, but soon he takes the place of the administrator, who is also La Garza's lover.

Jesús María Carmona is a small-time crook who poses as a cop so he can rob a bank. A few days before the day he planned to do it, a guerrilla group robs the same bank and Carmona is shot to death defending it when he has no other choice but to act as a policeman. Soon after, his image becomes a symbol for the police and he is honored, but his identity is found out. Meanwhile, in the neighborhood where he grew up his effigy is burned as he is now considered a traitor.

Luisa cheats on Guillermo with Sebastian, who cheats on Ximena. When Luisa goes missing after both couples return from a double date night, the whole house of cards starts tumbling down.

Carmen is a beautiful woman working in a business that is dedicated to smuggling. One day, Carmen fights and hurts to a smuggler woman, so a sergeant in the National Guard, José Navarro, stops detain her. In doing so he also falls in love with her, but jealousy will destroy his passion.