In the Name of Innocence

Jochen's life is going well. He has just moved into a new house with his wife and child when suddenly his widowed father accidentally runs into a car and begins to lose his mind. The family take the old man in but tensions arise when the family has to grapple with the old father's worsening Alzheimer's condition.

During the Greek summer in the war year of 1944, a German military unit sets up camp on the plateau of Thebes. Armed with a 16 mm camera, the captain of the unit, a former professor for classical Greek philology, comes up with the idea to film the myth of Oedipus.

Elias, born at the end of the war, receives an anonymous phone call on his 47th birthday: his parents are dead. He is now a successful politician, but thirty years ago he had fled from his home and parents in the East to seek a new life in the West. The return to his parental home causes Elias a sense of unease and disturbs the rigid order and complacency of his life.

Set against the backdrop of post-unification Germany, the film explores the breakdown of relations in a decaying social structure.

Nina and Mark wish for years in vain a child. An adoption is out of the question for them, they would like to have their "own" child. There seems to be only one solution left for her: a surrogate mother in India. A business model that specific physicians and clinics specialize in the field. Euphorically, Nina and Mark travel to their foreign country. Everything seems perfect at first, the doctor Kamalika acts competent and in the young Shanti they quickly find the right surrogate mother for their desired baby. But in the nine months to the birth they begin to wonder if the decision was right.

Thomas Brasch was born as a German-Jewish emigrant in England in order to move to the young GDR with his family at the beginning of the 1950s. His father Horst is primarily interested in helping to build the new German state. But Thomas prefers to realize himself as a writer and in doing so discovers his potential as a poetic rebel. His very first play was banned and soon afterwards he lost his place at the film school. When the tanks of the Soviet Union roll through the Czech capital Prague in 1968, Brasch and his girlfriend Sanda and other students try to call for protest in the streets of Berlin - and fail. His own father betrays him to the Stasi and allows Thomas to go to prison. After being paroled, he continues to try his hand at poet writing about love, revolt and death. In the GDR, however, you don't want to have anything to do with someone like him.

Tatort is a long-running German/Austrian/Swiss crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

Holger Lenz tried to do everything right in life and is still faced with the shards of his existence. His wife Ilona cheats, his son Linus mocks him on the internet, and younger people overtake him in the office. Even the family dog ​​treats the man in his mid-forties with disregard. When a Spaniard brings him his father's ashes in a detergent bottle, along with a message from an inherited apartment in Thailand, Holger sets out. His father Georg left him after reunification and moved away - the only sign of life in the last 20 years: a postcard from the land of smiles. What Holger awaits there exceeds his wildest expectations.

A young man who disappears from home for a while returns as his own (deceased) brother and encounters a strange world that should be familiar to him.

At some point, a dead fox lies in the star lawyer's empty swimming pool. Later, much later, the former Attorney General Jasper Dänert lies dead in an empty bed. In between, an entire life comes to an end. Or rather, what was left of it. A powerful drama that tragically paints the biblical story of the prodigal son in the dreary autumn colors of East Germany. Full of guilt, denial, manslaughter - and a lack of atonement, which should have been the responsibility of Brandenburg's highest prosecutor. But when the murder happened, when the young hustler Jimmy was found dead in a rotten tree trunk, he was biased. More than that. He was the perpetrator.

Lena is happily married. From the strange man in the S-Bahn but such a pull goes out that she gets involved in a spontaneous infidelity. The stranger, Martin, also thought that the marriage with his wife was completely safe. Nevertheless, what should actually be written off as an adventure between Lena and Martin is becoming the projection screen for newly created needs and longings. Lena and Martin can not let go of each other.

The suitcases are packed: Frank, Claudia and their 17-year-old son are heading to Toronto, a professional fiasco is forcing the family to make a fresh start. But suddenly Frank's childhood sweetheart Romy appears on the doorstep. Frank swore eternal love 24 years ago. And Romy is now demanding eternal love. A demand that pushes everyone involved to their limits and reveals their darkest sides.

Something terrible is about to happen in a small town in Germany. Nobody knows the reason why, except one person: Rico Bartsch. The 15-year old grammar school pupil, an absolute outsider, is in love with the most beautiful girl at his school. What in the beginning is a longing that can never be fulfilled will come true at the end of the story. Beautiful Regine will beg for Rico’s love. Until then several inhabitants of the town will die an unnatural death...

Under the artistic direction of director Andreas Dresen, 20 renowned documentary filmmakers, experienced television writers, and teams tell stories about the country and its people. The teams filmed at 20 different locations between June and August 2010 under the same production conditions: four days of filming, one week of editing.