Vice

This film is not about Oleg Yankovsky in the usual sense: not a biography of a great actor, not a review of roles. And not the sharp facts from his personal life. Although it's all in the film: a dramatic fate, unknown pages of biography. Like any great actor, he possessed a secret - he did not tell both in the movies and in life. But his main gift was not even acting. Yankovsky was talented at making people fall in love with him. I wanted to look at him again and again: that's why they loved him and still love him.

The story of the film is based on real historical events. The most famous crimes from the mid-eighties of the last century to the present day have been used as the basis for the detective plots of the picture. The main character, Oleg Krainov, after serving in the army, comes to Moscow to enroll in the acting department at VGIK.

Two friends go to St. Petersburg on a business trip that will change them forever. Completely different, like ice and flame, guys fall in love with two Petersburgers equally strongly. Reliable and pedantic Kostya loses his head when he meets an eccentric Game. And the freedom-loving lovelace Sanya for the first time thinks about a real relationship, having met the mysterious cellist Nastya. Love turns the measured lives of Muscovites upside down — and none of them knows how to deal with this new feeling.

According to the story of the same name by Vladimir Makanin. Mitya Rodiontsev, a young employee of the research institute, for some time now became one of those who were in the close circle of the secretary of the director Aglaya Andreyevna and felt well protected from the vicissitudes of fate. Having become a “retinue”, Mitya was no longer engaged in science, but was busy for those who needed him, openly respected him and saw him as a future leader. But once Rodiontsev was not invited to the director’s office for a weekly tea party...

The brilliant scientist Mikhail Rubin ends up in the camp because of a personal conflict with the People's Commissar Beria. But suddenly Rubin is released: his best friend and colleague Kirill Muromtsev recommended Mikhail to a secret project to create a Soviet atomic bomb, and the physicist's candidacy was approved by academician Kurchatov. Mikhail returns to Moscow and finds out that while he was in the camp, his fiancee Anna Galeeva managed to become Kirill's wife. To fulfill the task of the state, young scientists will have to work together, despite the personal drama.

The Idiot (Идиот) is a 2003 Russian costume drama television serial written by Vladimir Bortko, adapted from Fyodor Dostoevsky's 1869 novel of the same title. In corrupt 19th-century St Petersburg, Christ-like Prince Myshkin becomes entangled in the lives of the self-destructive Nastasya Filippovna and the romantic Aglaya Epanchina.

A quartet of childhood pals who create a business together find themselves at the core of a powerful Moscow gang in the aftermath of an unplanned murder.

Two investigators, a woman and a man, are looking for the missing 5-year-old grandson of the famous conductor. The whole family of the conductor is under suspicion. But the relationship between the investigators is becoming more and more strained.

The Master and Margarita is a Russian television production of Telekanal Rossiya, based on the novel The Master and Margarita, written by Soviet writer Mikhail Bulgakov between 1928 and 1940. Vladimir Bortko directed this adaptation and was also its screenwriter.

2016, Russia, Cosmonaut Training Center. Another international crew (three Russian and two American cosmonauts), led by Commander Gennady Yashin, is preparing for launch to the ISS. During the preparation for the flight, it suddenly turns out that there is a psychological "time bomb" inside the crew, associated with serious difficulties in the family relations of the expedition participants and endangering not only the fulfillment of a mission of national importance, but also their lives.

The series is set in 1961. Cameraman Viktor Khrustalyov is in a difficult situation; he is suspected of being involved in the death of his friend, talented screenwriter Kostya Parshin, who committed suicide during a drinking-bout. The authorities try to put Khrustalyov in prison by any means. Viktor needs to shoot the comedy "The Girl and the Brigadier" in order to get permission to make the film "Shards" after the wonderful scenario left from his deceased screenwriter friend. Young director Yegor Myachin wants to adаpt this screenplay. Khrustalyov arranges him as a trainee to the venerable director Krivitsky for a comedy. In the same film act Khrustalev's ex-wife Inga and his young sweetheart Maryana, with whom Yegor Myachin is also in love.

Victor Sluzhkin signs on as a teacher of geography in a secondary school in his native Perm (in the Urals) and gets lost in a haze of hard vodka, desperate love for a nymphet-like student and the stress of educating teenagers. Geographer, as the students immediately dub Sluzhkin, attempts to escape from the grueling, dull, stultifying reality of Russia's provincial life in a rafting tour to the Urals. Accompanied by wild, adventure-seeking adolescents, faced with the numerous grim surprises of the nature, Geographer is poised to find himself and his own truth.

In this hit Russian musical, a group of friends flaunts Soviet authority in 1950s Moscow by embracing jazz. When Communist Mels falls for Polly, a free-spirited jazz fan, he risks losing his party membership by associating with her rebellious crew.

A docudrama about the escape of Russian pilots after being taken hostage by the Taliban in 1996.

Young and extremely talented dancer Yulya Olshanskaya from a small mining town draws a “happy ticket”: she is noticed by a former ballet dancer Pototsky and he promises her a future of great ballerina, worthy of the main stage of the country. However, in order to become a diamond, anyone, even the most outstanding brilliant, needs to be cut, and the way to the legendary stage of The Bolshoi Theatre for Yulya lies through the walls of the ballet school, where the more capricious teacher Galina Mikhailovna Beletskaya takes custody of the rebellious provincial. Turning into a prima will require incredible self-denial, and Yulya herself will have to make sure that the big ballet is not only the whiteness of the packs, the gold of the boxes and the slip of silk ribbons. But no obstacles will stop the one who has the big dream.

One day Pavel, a young man wounded in the war, suddenly shows up at the home of a Moscow scientist name Krymov and claims to be his illegitimate son. Krymov denies this, but out of compassion he helps arrange a necessary operation for Pavel. Then certain things begin happening which suggest to Krymov that he may have a psychologically unstable fellow on his hands.