Arapuca

The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.

Backstage before a performance, a French actor recalls his time in Madagascar during World War II, when he secretly ran a Resistance radio station under the watch of a collaborationist police chief. His story unfolds in flashback, revealing espionage, deception, and divided loyalties within the French ranks. Made for Britain’s Ministry of Information, this 1944 French-language propaganda short satirizes Vichy opportunism and wartime hypocrisy, and was shelved for decades before its release in 1993.

A derelict, huddled under the steps of a missionary church, feels enlightened by the sermon of a passionate preacher and infatuated by the beauty of the congregation's pianist, in such a way that he tries to improve his life of poverty by becoming a policeman. His first assignment will be to patrol along Easy Street, the turf of a vicious bully and his criminal gang.

After escaping a Nazi POW camp, a young Scottish RAF gunner recounts his perilous journey through occupied France with the help of the Resistance. During his debriefing in London, French intelligence officers press him for details—especially about one companion whose true loyalties may not be what they seemed.