No More Divorces

The four sequences in the film cover four days in a life of young Warsaw lad in September 1938, 1939, 1943 and 1944. In the first sequence Jurek decides not to study in the Sorbonne but enlists in a Polish military school instead. In the second sequence the war starts and Warsaw is occupied. In the third sequence he works in the underground resistance. The final sequence takes place during the Warsaw uprising.

Based on real events story of stealing methyl alcohol causing mass poisoning in town.

In the last few days of the Warsaw Uprising during World War II, a modest group of Resistance members remains. The band must take refuge in the sewers under the orders of leader Zadra, but it's only a matter of time before they will have to emerge. However, when they try, they are met only with intense hostility from the Nazis. Despite their attempts stay resolute through immense mental strain, it becomes increasingly apparent that they may be doomed.

Post clerk's young daughter runs away from home with a tsarist officer.

"Andremo in città" (We'll Go to the City) is a 1966 Italian drama film directed by Nelo Risi. It is based on the novel of the same name by Edith Bruck, Risi's wife. Bruck, a Hungarian concentration camp-survivor, settled in Italy after the Second World War and wrote about her experiences in autobiographical and fictional formats.[1] The film stars Geraldine Chaplin and Nino Castelnuovo.

A young peasant girl, Antonina, emigrates for bread to Canada. She stays with her uncle, who offers her marriage, but Antonina does not accept the offer. She marries a farmer from a nearby village, surreptitiously puts away pennies to pennies and sends to Poland, her son to build a house. When her husband finds out, he catcalls her in a rage and throws her out. She returns to the country, and what does she find?

Three high school graduates prepare to start the next chapter of their lives, but the outbreak of World War II may derail their dreams forever.

A tale of a young impoverished nobleman, who with his uncle returns from a war against the order of the Teutonic Knights in Lithuania. He falls in love with a beautiful woman and pledges an oath to bring her "three trophies" from the Teutonic Knights.

Set in the occupied Warsaw, the film tells the story of the mission carried out by the student underground resistance group to execute the hated SS General Franz Kutchera.

Tells two tales set during WWII: A seemingly feckless and selfish man finally takes up arms in the national struggle against the Nazis. Set in a POW camp, Polish inmates cling to their hopes for an eventual escape, encouraged by the legendary escape of one of their own.

One night in 1950 a passenger train runs over a man, who turns out to be the veteran train engineer Władysław Orzechowski, know for his old ways and stern demeanor. As the inquiry panel tries to deduce why would a man like Orzechowski jump in front of a moving train several of the people involved in the case are interrogated, each telling their own version of the story. Can the panel arrive at the truth in a world where workers unite, inferior coal is a badge of honor, and the old order is suspect?

To convince the prison warden against releasing him, a middle-aged Polish man recounts his life, one he considers to have been characterized by exceptionally bad luck.

Military doctor Kwiatkowski, serving in a barracks hospital on the Western Territories, is rewarded with a week’s leave after successfully operating on Colonel Kiziora of the UB. He and his friend steal a truck bound for Warsaw, where among the ruins of his former home he meets his prewar neighbor Krysia, instantly falls in love, and, after a brawl with a Russian officer at a dance in the surviving “Polonia” hotel, pretends to be a high-ranking UB colonel to save face.

In Nazi-occupied Warsaw, teenage scouts Alek, Rudy, and Zośka risk their lives pulling down a swastika and hoisting the Polish flag atop the German “Zachęta” cultural center and then blowing up a mobile propaganda cinema.

Love at Twenty unites five directors from five different countries to present their different perspectives on what love really is at the age of 20. The episodes are united with the score of Georges Delerue and still photos of Henri Cartier-Bresson.