Song of Orchid Island

A remake that doesn't disappoint, the Shawscope color Love Without End is as touching as the classic black and white original. Excelling in the tragic role made famous by Linda Lin Dai in 1961, Jenny Hu was honored with the Special Award for Best Acting in 1970.

Ah Shou (Ye Feng), who appears dimwitted, cleverly outwits a street hawker, Ah Mou (Liu Lu Hua), who befriends him and forms an alliance. Together, they orchestrate various schemes: dining without paying, blackmailing the clients of a brothel, and renting a room to unsuspecting girls but tricking them into thinking the place is haunted, causing them to eventually forfeit their rent. Their mischief continues until they encounter Ah Chiao (Sakura Teng), a vibrant and sharp-witted individual who not only thwarts their schemes but becomes an integral part of their operation. The trio continues with their scams until an unfortunate encounter with robbers and police involvement adds a twist to their adventurous endeavours.

A drug smuggling ring is suspected of operating out of a posh Hong Kong nightclub called The Black Widow, where the sultry songbird Chiang Feng is the star attraction.

The spoiled and sword-obsessed Hsia Ho Wei desires to own the best sword in the world. But is he willing to betray his family and love to obtain it?

A romantic Shaw Brothers musical.

Northeastern China is infested with bandits. Hsiao Kai (Paul Chang Chung), a wandering knight, captures a white horse from thieves. His skilful handling of the horse earns his admiration of fellow traveler Chu Ching Hsu (Wong Chung Shun). They arrive at Lo Lung Kow, where the villagers hunt for a living and are constantly terrorized by bandits. Grocer Ting Tze Pao (Ngai Ping Ngo) returns from his negotiations with the bandits with bad news. They intend to collect furs from the villagers at a fixed price. Village leader Mu (Yuen Sam and his daughter Tsui Ying (Pat ting Hung) run a tavern. She wonders how the white horse belonging to a Sinkiang youth named Sha Yi Ti (Man Ling) is now in the possession of Hsiao Kai.

A vainglorious scholar rejects a matchmaking proposal to a daughter of a noble only to have his nights tempted by the lure of a mysterious beauty but their nocturnal encounters begin to prove strange as things aren't what they appear to be.

Taiwan's most glamorous screen couple, Ko Chun-Hsiung and Chang Mei-Yao, co-star in "Fallen Petals", a romance with the unique setting of Taiwan during World War II, when the island was a colony of Japan. Ko is drafted into the Japanese army and forced to leave his pregnant girlfriend behind. When he is presumably killed in action, Chang becomes a cabaret girl to support their baby. Thanks to director Pan Lei's sensitive scenario, the dramatic outcome is far from predictable.

In an attempt to seize the famous Tai Hsuan Book of Swords the outlaws Wang, Ku, Lu and Pai Feng attack the Hsia Tien Tsai Mansion and slaughter all righteous opponents. Only Hsia’s baby daughter survives and the dying mother leaves a message in blood to urge her to take revenge once she is grown up.

A great "swordfighter" learns humility after he is defeated by a master martial arts monk. But his reputation always precedes him, leading to danger, destruction, challenges, cruelty, kidnapping, and killing.

Jackie Chan plays the part of the class clown in a shaolin temple whose deadliest secret is stolen. All is lost until Jackie's character discovers dancing blue ghosts with bright red hair who haunt the library.

A brother and sister escape from Japanese-occupied Shanghai to Japanese-occupied Taiwan, to stay with their grandfather who runs a Kung-Fu school there. However, the master of a Japanese Kung- Fu school in Taiwan has plans to bringing all other schools on the island under his domination, and part of his plan involves the murder of the grandfather.

In a tiny Chinese fishing village, two rival fishermen compete for a young woman's love. She does love one of them, but as she is obligated to the other, she cannot marry him. Tragedy is averted when the one she is obliged to falls in love with another. Happiness briefly ensues as the men, with their respective mates, resume their friendship. Unfortunately, they set out to sea and disappear.

A clever and lively girl who gets lost in the world of radio drama believes the woman playing mahjong is not her mother, and runs away from home to search for her imaginary mother. A scoundrel claims to be the girl’s father to escape from police. They encounter two women in the mountains: one is tortured by his workaholic husband who engages madly in his scientific research, the other is the pure and naïve girl living in the mountains. Typhoon is coming. They are trapped in a weather station by the heavy rain with their heart and mind overwhelmed by emotions like the rainstorm outside. The film daringly deals with the near infidelity of a middle-aged housewife, a subject at that time both unusual and controversial.

Hui Pui-ching, a gentle and fragile woman, endures relentless abuse from her violent husband Fan Pak-nan. By chance, she meets Ha Mon-hin, a cultured and compassionate businessman trapped in his own loveless marriage. Drawn together by loneliness and understanding, their relationship unfolds quietly along seaside walks, where a simple purple shell becomes a symbol of tenderness and fragile hope. As suspicion, jealousy, and blackmail close in, their impossible love spirals toward devastating consequences.

A 1970 film.