The Farewell

Before Ernst Winckelmann, a sales representative for hair products, calls on hairdressing salons and chemist's shops, he rehearses what he intends to say, shakes the dandruff from his hair and slips into an innocuous pair of shoes. None of this helps. Winkelmann is no sales talent and his product is a failure. Meanwhile, in a small corner pub in the Barmbek district of Hamburg, Winkelmann's young girlfriend Aline uses some firm but gentle persuasion to make the last customer leave. Not much doing tonight. During the day, Rüdiger the barman, pulls most of the beers for the landlord, Aline's father, who survives on memories of good times at Miami Beach...

Shezad is a Pakistani refugee seeking his fortune in Hamburg. At night, he sells roses in pubs. During the day, he is looking for a job. He starts working as a dishwasher and soup cook in a Chinese restaurant. Xiao, the waiter, and Shezad dream of opening their own restaurant. Herder, the janitor of the asylum seekers' home and part-time escape helper, has to go abroad. Shezad takes over his job and finds the money for the restaurant in East Berlin by not entirely legal means. So Shezad and Xiao's dream comes true. However, the day of the opening ends differently than the two of them had imagined.

Max, the confident firstborn of a wealthy Dutch-Jewish family, enjoys security, love, and his father Simon’s pride as head of SuperTex. Yet a sudden nagging self-doubt and inner emptiness drive him to question his path. The film follows Max’s journey to reconcile his desire for change with familial expectations and deep-rooted tradition.

The unborn child of Mamlakat is telling her story. She is 17, beautiful and vivacious, and dreaming secretly of becoming an actress. She lives with her father and brother in a small village in Central Asia. One night she is seduced by an actor from a travelling troupe, who poses as a friend of Tom Cruise, and gets her pregnant. She tries to abort, but her father and brother become determined to find the seducer, setting in motion a cascade of comic adventures.

They kiss and they fight, they love and they kill each other: Hagen Trinker and the others, bums and junkies, men and women. They live in Munich, under the bridge, in the shell of a building. Sometimes an armchair is their home, sometimes a newspaper is their mattress. But mostly they are on the move anyway, on the street, in shopping arcades, at the train station - without a destination and without illusions. Then Julia joins them, 15 years old, who has run away from home - a princess, as one of the clique says. Hagen falls in love with her. A fairy tale begins, and the next moment it is already over. But now Hagen is ready to fight once more: he simply has to find Judith again...

Though approaching his eighties, Max Kohn shows no signs of slowing down. He pursues his love life - both real and imagined - with youthful vigor, thereby risking his relationship to Reisel, the woman he loves but neglects. LOVE COMES LATELY is a film about real and imagined longings, the never ending dream of love and the power of fiction.

The mis-adventures of three Polish-Jews on the road to Gdansk is the basis for this German comedy that was filmed in New York, Germany, and Poland. Genovefa and Moshe have been married and living in New York for 30 years. Physically the couple resembles Mr. and Mrs. Jack Sprat. The two have decided to return to Poland for a visit. They intend to have Moshe's best friend Isaac, an unlucky, depressive German, take care of their house while they are gone. Unfortunately, Isaac loses his job before they go and ends up accompanying them on a Polish freighter. When the ship dies in a German port, the threesome must go overland to Gdansk. They encounter many mishaps along the way.