From Afar

A man fails to acknowledge the teenagers he mistreated when they were small children.

In the near future, a popular uprising in Mexico City interrupts a wedding held at the home of a wealthy family. After the riots have been quashed, they discover the bride has gone missing and plea with the military to help locate her.

A young boy on a mission to collect what he believes to be his father’s remains gets sucked into the underbelly of the migrant industry in Mexico.

When a distant emergency disrupts a vacation in Acapulco, simmering tensions rise to the fore between scions of a wealthy British family.

Valeria is 17 and pregnant. She lives in Puerto Vallarta with Clara, her half sister. Valeria has not wanted her long-absent mother, April, to find out about her pregnancy, but due to the economic strain and the overwhelming responsibility of having a baby in the house, Clara decides to call their mother. April arrives, willing to her daughters, but we soon understand why Valeria had wanted her to stay away.

Oswaldo Vigas, a renowned Venezuelan painter, returns, in his 80s, to the town where he was raised, searching for a painting that was lost during his teenage years. If he finds it, he and his wife, Jeannine, will be able to complete an exhibition about the early stages of his career. This search becomes more than an opportunity to revisit the early influences on his art. During this exploration, he is confronted with a chapter of his youth that marked him for the rest of his life, and defined him as a human being and as a creator. The search for the lost painting, EL VENDEDOR DE ORQUÍDEAS (THE ORCHID SELLER), allows us to discover the human side of one of the most influential artists of Latin America.