Flying South

The Captain and Inspector are hunting lions in Africa, though their attempts to sneak up are hampered by alarm clocks and squeaky shoes. Fortunately, there's a lion ready for them: it's the boys, dressed in a lion costume, with an "ah-ooga" horn for the roar. They're soon chasing the Captain, when their costume gets stuck and pulled off. The captain comes in to the costume after them, but the boys manage to tie him up. Before long they've run into a real (sleeping) lion. They provoke it (in costume), and get its head stuck in a hollow log. Then they go taunt the Captain again and bring him over to the log, where the lion is still stuck; he whacks it with a board and pulls it out, then tries to remove the costume when the boys walk up behind him. The inevitable chase starts slowly, then speeds into a cave.

The New Fred and Barney Show is a 30-minute Saturday morning cartoon produced by Hanna-Barbera as a 1979 series revival of The Flintstones from February 3 to October 20, 1979 on NBC. The series marked the first time Henry Corden performed the voice of Fred Flintstone for a regular series. These new episodes were composed of the traditional Flintstones cast of characters such as Fred and Barney's children Pebbles and Bamm-Bamm as toddlers, after having been depicted as teenagers on The Pebbles and Bamm-Bamm Show on CBS in 1972; they returned to the form of teenagers on The Flintstone Comedy Show in 1980 on NBC. Some plots were familiar Flintstones stories while others consisted of new misadventures with witches and werewolves, as well as spoofs of late 1970s fads. Seven new episodes combined with reruns of The New Fred and Barney Show were broadcast on the package program Fred and Barney Meet the Thing and later on Fred and Barney Meet the Shmoo.

A cow and her calf are bedding down for the night. The calf is frightened by a shadow, until it's revealed to be a jackrabbit. He follows the rabbit deep into the woods. Neither of them notices the wolf following.

Tom hears a ghost story on the radio and is spooked by it; Jerry notices this and takes advantage of it, using a variety of tricks to scare Tom.

Chased by Tom around the barnyard, Jerry takes refuge under a hen, who, in her nest, is sitting on eggs. Tom has to figure out ways to get Jerry out from under the protective hen.

As Tom and Jerry stage their typical fight sequences, the patriotic soldier theme of the title is evidenced by such things as a carton of eggs labeled "Hen Grenades"; Jerry dropping light bulbs from an airplane like bombs; and Jerry sending a telegram with the message "Sighted Cat - Sank Same." Musical phrasings from various patriotic war songs are heard throughout. The cut scene after Jerry hitting Tom with the board 4 times was cut from the 1950 reissue print for a war bond joke, and the original footage is currently considered "lost" due to the negatives destroyed in the 1978 George Eastman House fire.

The stork tells about a harrowing encounter with a gun emplacement. As a result, he declares himself "closed for the duration."

A donkey, putting a small pile of rubber out for wartime recycling, is dismayed by the much larger piles his neighbors have put out. He goes into the backyard and finds, in his lawn, a huge buried inner tube - but it has a mind of its own.

Barney Bear runs afoul of a foul-smelling skunk who wants to steal his berries.

Tom fights with another cat over Jerry.

Two baby squirrels ask grandpa to explain what "men" are when he comes in singing "peace on earth, goodwill to men". Grandpa tells the story of man's last war. This classic animation short was an Academy Award Best Short Subject, Cartoons nominee.

To bar the Ant from subterranean refuge, the Aardvark strives to plug every ant hole in existence and, to his dismay, discovers a hole of volcanic proportions which is the dwelling of Charlie's huge, older kin.

Animated industrial movie about the steel industry.

Barney just wants to hibernate for the winter, but his nephew, just in from the North Pole, has other plans.

Animated propaganda advocating for the importance of unregulated capitalism to the American way of life.

This cartoon is by Rudy Ising, and is the last of a long line of black animal musicals done at MGM in the late 30s and early 40s.