Taxi to the Toilets

Frank and his S&M partner are surprised by Frank's harridan mother when she walks in on the pair in an amorous clinch. Frank's mother threatens to disinherit her son if he does not settle down and get married. Frank hires the actress Klara to pose as his wife, and the pair moves into a quaint country house. Soon the newly weirds are both after their handsome neighbour Eugen. Frank becomes confused when he feels he may be falling for his first female.

This film is in effect a slideshow of exquisite single photographic images in sparkling black and white, representing Mikesch’s own version of Mary Stuart. “The drama of a woman who attempted a kind of liberal emancipation in a time of upheaval, but got caught in the snares of men,” in her words. Confronted with layers and layers of conflicting information about “how it really was” Mikesch decided not to try to be a historian, but to radicalise the narrative and condense it into striking images of passion, power, love, pain and death.

Together with her bisexual friend and manager Stefan, singer Miko is working on a great career that has so far failed to materialize.

Frank and his S&M partner are surprised by Frank's harridan mother when she walks in on the pair in an amorous clinch. Frank's mother threatens to disinherit her son if he does not settle down and get married. Frank hires the actress Klara to pose as his wife, and the pair moves into a quaint country house. Soon the newly weirds are both after their handsome neighbour Eugen. Frank becomes confused when he feels he may be falling for his first female.

French sailor Querelle arrives in Brest and starts frequenting a strange whorehouse. He discovers that his brother Robert is the lover of the lady owner, Lysiane. Here, you can play dice with Nono, Lysiane's husband: if you win, you are allowed to make love with Lysiane; if you lose, you have to make love with Nono... Querelle loses on purpose.

Max Taurus, a sort of amateur detective, pursues the traces of general omni-present crime back to a partially demolished house. There, the remaining tenants try to gain pleasure and power from progressive abandonment in order to tear down their own conventionalities.

In collage sequences, the surrogate of synthetic sensuality takes form and seduces the sailors in the guise of a Hawaiian girl. In ritual punctuation, she distributes deaths which seemingly only the hardy siren Fatality can survive.

In a futuristic, totalitarian society wherein the government controls all facets of the media, a homicide detective investigates a string of bombings and uncovers more than he bargained for.

The notorious pirate ruler Madame X places a print ad, calling on women to escape their boring lives and promising "gold, love and adventure" to all who come aboard her ship, the Orlando. A motley crew including a housewife, diva and artist (played by Yvonne Rainer) embark on a quest for self-transformation, which quickly heads towards destruction as they are subjected to Madame X's sadistic, erotic escapades.