Cockles and Muscles

Louis, 34, visits his family for the first time in years. He finds his brother Antoine, his sister Suzanne, his mother and his sister-in-law Catherine. Louis did not come back by chance. He wants to tell his family terrible news: his imminent and inexorable death. But as soon as he arrived, his presence brought back memories and old family quarrels. Buried bitterness and annealed tensions resurface one after the other and transform the little suburban pavilion into a stifling family prison. So much so that the unfortunate Louis never finds the right time to share his heavy secret ...

Théo and Hugo meet in a club and form an immediate bond. Once the desire and elation of this first moment has passed, the two young men, now sober, wander through the empty streets of nocturnal Paris, having to confront the love they sense blossoming between them.

A charming comedy about going on a rather long walk. Félix is a laid-back guy living in the bleak northern coastal town of Dieppe. He lives happily with his lover Daniel and is a soap opera enthusiast and HIV-positive. After losing his job, Félix decides to find the father he never knew in Marseilles. Agreeing to meet Daniel in the southern port city in a week's time, Félix throws on his backpack and starts hiking. On his way, he discovers that family need not always be connected by blood.

The biblical tale of Joseph is told from an Egyptian perspective in this interesting character study. In this film, Joseph is called Ram. Ram, tired of his family's backward superstitious life, and tired of being picked on by his brothers, wants to go to Egypt to study agriculture. His brothers travel with him across Sinai, but then suddenly sell him to Ozir, an Egyptian who works for a Theban military leader, Amihar. Amihar is impressed by Ram's drive and personal charm and so grants Ram some desolate land outside the capital. Ram soon finds himself a pawn in the political and sexual games between Amihar and his wife Simihit, a high priestess of the Cult of Amun.

1968. Catherine, Yves and Hervé are twenty years old. They're students in Paris and they love each other. The May student uprisings radically change their lives. Overtaken by communal utopia, they leave the city with a few friends to set up house in an abandoned farm in the Lot region. A desire for freedom and the search for individual fulfillment lead them to make choices that cause them to separate.

Etienne is crazy about ice skating and videoing his daily life with a digital camera. He records his mother, friends, and geography teacher. Initially his intention is to setup a date between his mother and his teacher, however, he starts to realize that he is infatuated with the teacher himself.

Jeanne, a receptionist at a travel agency, is looking for the love of her life. She thinks she has finally found it with Olivier. However, Olivier reveals he has AIDS and disappears from her life after her profession of love and confession of infidelity.

When Frédérick, the patriarch of the Alsatian Muller family, is conspicuously absent from his son Charles' funeral, Frédérick's surviving son and his granddaughter, raw from their loss, await an explanation. Once revealed, Frédérick's reasons and the painful secret Charles harbored for years threaten the foundations of the entire family.

Set in 1987 against the backdrop of a hunger strike by the Egyptian film industry, Chahine himself steps in to play Yehia, the famed Egyptian director whose life is chronicled in "Alexandria, Why?" and "An Egyptian Story". Obsessed with Amr, the handsome actor he discovered and cast as his alter-ego in parts one and two of The Alexandria Trilogy, Yehia pressures Amr to star in various film projects that change even as Yehia's perception of the young actor begins to change. He first casts Amr as Hamlet, which the actor deems too demanding for his talents, then as the lead in a musical biopic of demigod Alexander the Great, who founded the city of Alexandria in 332 B.C.

This French farce chronicles one special day in the lives of a married pair of Parisian architects, Fabienne and Bruno, as they anxiously await the results of an important architectual contest they have entered. Unable to handle the stress of waiting, both turn to sexual liason's to ease their tension. Bruno ends up enacting a dark sexual fantasy with a stranger while Fabienne eventually succumbs to the advances of Bruno's friend Simon, a fortyish Lebanese businessman and part-time drug dealer. The comedy takes on overtones of psycho-drama when the contest winner announced and the couple discovers the truth of each other's actions. A cache of drugs, discovered in an apartment only adds to their troubles.

Four gay men and a straight woman who barely know each other find themselves in an apartment in the sky above Paris. They have all been the victim of the same domineering pervert who is locked in a room. That night, they decided to finish it. In turn, they tell each other memories that bind them to this man and enter the room to confront him. But what happens between the monster and them remains their secret.

In thirty years, the way HIV-positive people look at their disease has changed. In this resolutely optimistic film, Alain Maneval gives a voice to patients, volunteers and researchers involved in the fight against AIDS. He draws up an inventory of the situation that bears witness to the pivotal moment that the evolution of the disease is currently experiencing.