Affinities
1972 · 5 min · Animation
A ballet of squares and octagons in many forms, exhibiting a variety of geometric and sometimes sensuous interactions.
Directed by Lillian Schwartz
Your Rating
Make it a double feature
1h 26m togetherA close match in mood and era.
More from Lillian SchwartzSee all →
Pixillation · 1970Pixillation
★ 6.21970
MovieMusicAnimation
Pixillation features computer generated abstract animations set to Moog-synthesized sound.
UFOs · 1971UFOs
★ 5.41971
MovieAnimation
Blasting off into cosmic visual abstraction, pioneering computer artist Lillian Schwartz’s UFOs is a kinetic tour-de-force whose innovative pixel pigmentation showcased advanced stereoscopic technology as art.
Mutations · 1972Mutations
★ 5.31972
MovieAnimation
“The changing dots, ectoplasmic shapes and electronic music of L. Schwartz’s ‘Mutations’ which has been shot with the aid of computers and lasers, makes for an eye-catching view of the potentials of the new techniques.” – A. H. Weiler, N. Y. Times
Olympiad · 1971Olympiad
★ 5.21971
MovieAnimation
Study in motion based on Muybridge’s photographs of man running.
The Artist and the Computer · 1976The Artist and the Computer
★ 4.81976
MovieDocumentaryAnimation
Pioneering artist Lillian Schwartz demonstrates the human input -- integrity, artistic sensibilities, and aesthetics -- that goes into producing early computer art. In voice-over she explains the intent behind a number of her films and offers insight into the artist's problems and decisions. Produced for AT&T.
Some of My Best Friends Are... · 1971Some of My Best Friends Are...
★ 4.61971
MovieDrama
Regulars gather at The Blue Jay, a gay bar in Manhattan's Greenwich Village, to celebrate Christmas Eve 1971 with people they consider family.
Googolplex · 1972Googolplex
★ 4.51972
MovieAnimation
Extended editing techniques based on Land’s experiments affect the viewer’s sensory perceptions.
Apotheosis · 1972Apotheosis
★ 4.51972
MovieAnimation
“Apotheosis, which is developed from images made in the radiation treatment of human cancer, is the most beautiful and the most subtly textured work in computer animation I have seen.” – Roger Greenspun, N. Y. Times Award Foothills-1973.
Metamorphosis · 1974Metamorphosis
★ 3.01974
MovieAnimation
“Schwartz’ METAMORPHOSIS is a complex study of evolving lines, planes, and circles, all moving at different speeds, and resulting in subtle color changes. The only computer-generated work on the program, it transcends what many of us have come to expect of such film with its subtle variations and significant use of color.” – Catherine Egan
Mirage · 1974Mirage
★ 2.01974
MovieAnimation
Filmed directly from color television controlled by computer programs. Beautifully flowing shapes that overlap and intertwine.
Enigma · 1972Enigma
★ 2.01972
MovieAnimation
“Lines and rectangles are the geometric shapes basic to ENIGMA, a computer graphics film full of subliminal and persistent image effects. In a staccato rhythm, the film builds to a climax by instantly replacing one set of shapes with another, each set either changing in composition and color or remaining for a moment to vibrate strobiscopically and then change.” – The Booklist.
Innocence · 1973Innocence
★ 2.01973
MovieAnimation
Computer generated music and visuals films directly from a color TV monitor.
OHM+: The Early Gurus Of Electronic Music : 1948–1980 · 2005OHM+: The Early Gurus Of Electronic Music : 1948–1980
2005
MovieMusicAnimation
Drawing on rare performances, interviews, animations, and experimental film, this documentary surveys the formative years of electronic music from 1948 to 1980. Featuring pioneering composers and inventors—including Milton Babbitt and Leon Theremin—the film explores the experimental technologies, academic laboratories, and creative struggles that shaped the early evolution of electronic sound.
X-STRIA1 · 2013X-STRIA1
2013
MovieAnimation
This animation can be watched in 2D or using Chromadepth Glasses in 3D.
Ensemble #1 · 1977Ensemble #1
1977
Movie
Music by Albert E. Miller. Combination of musicians and dancers in free form movements captured by computer-controlled-video which permits distortions and variations of the imagery. Continued experimentation with Rock Music and performers.
AZTEC · 2014AZTEC
2014
Movie
This animation can be watched in 2D or using Chromadepth Glasses in 3D.
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