Hostage

An image and music collage - a cinema concert - guided by a young sound engineer David, for whom the exhibition on E. F. Burian is an incentive to take more interest in this avant-garde artist. The film interweaves two strands - documentary and factual, drawing on contemporary material and archival images - and fictional with the story of David the sound engineer.

In 1980s CSSR, depressed Martin tries to overcome the feeling of being locked up with jazz music.

A new man comes into the world and his fate is watched over by three female judges. One of them endows him with exceptional qualities, the second puts many obstacles in his way and the third advises him how he can find his happiness in life in spite of everything. But what happens if one of the women judges fails in her task? In a fairy tale story full of suspense, humour and surprises, the kind and wise girl Johanka finds out for herself... There will be a stubborn prince, an unjust and greedy uncle, or a forgetful fairy Tea, but most of all a lot of love, which, as it happens in fairy tales, will help Johanna to overcome almost all the obstacles of fate.

The paths of three women meet in a hospital room. They all perceive life as a gift, not as a meaningless punishment. By believing in life, they overcome all obstacles and seek their own dignity. Their life stories are connected by kind humor and a strong humanist accent.

Soňa, an emotionally unfulfilled nurse trapped in a monotonous marriage, decides to break away from her routine to escape her surroundings. Despite facing personal failures and ideological conflicts with her husband, she undergoes a process of self-discovery.

A film about the uncertainties faced by a man in post-Communist Slovakia, his relationship with a teenage son and English teacher girlfriend who's soon to return home to England.

Bittersweet comedy about four teenage boys, their friends, parents, lovers - from the moment when they are 15 to moment when they are 18. Story is set in 1970s, when is Czechoslovakia occupied by Russians.

Olga is a complex young woman desperate to break free from her unfeeling family and social conventions. With her Louise Brooks-like tomboyish looks she drags herself, chain-smoking, from one job to another until she appears to find her niche as a truck driver. Although she has female lovers she does not form a bond with any of them; instead she clashes, time and again, venting herself in wordless emotional outbursts and other behavioural extremes.

This simple story is the feature debut for well-known Slovak theater and television director Juraj Nvota. Set in a Slovak village at the turn of the last century, the story teems with passion, and repressed and hidden emotion. It delves into the search for identity, investigating both love and hatred, while dramatizing the tragic relationship between an adolescent girl (Tatiana Pauhofová) and her ambitious father (Ondrej Vetchý). Set against the striking though simple backdrop of a picturesque, even idyllic, landscape - one ostensibly cut off from any important historical, political, or social context whatsoever - the arrival of an unwanted individual evokes the onset of a cruel drama.

Jakub, a dreamer and budding magician, juggles between parcels and services rendered to the villagers. His eyes cross that of the beautiful gypsy Jolanka. Together, they will try to live a first and big love, despite the pressure of their respective communities.

Beata Parkanová, the filmmaker behind Moments, returns to Karlovy Vary with an exceptionally vivid portrait of the family of notary Václav Vojíř, a small-town moral authority, and his selfless wife Věra. This masterfully told and highly original intimate drama, whose protagonists undergo a difficult ordeal in the summer of 1968, is reinforced by finely wrought, exquisite performances from Martin Finger and Gabriela Mikulková.

Once a hugely popular clown trio, Oskar, Max, and Viktor are now living very different lives. The intense fight that ended their friendship has left them on bad terms for over 40 years. Max is battling colon cancer, Viktor's wife is losing a battle to Alzheimer's, and Oskar, who's never been the best dad, is trying to rescue his daughter from an abusive relationship. The good old days are gone indeed. Despite their situations, each one still tries to maintain a sense of humor. They look fondly on the days when they were slapstick superstars. However, when it comes to the issues that led to their career demise, they just can't seem to let their anger go. As they hesitantly agree to a reunion, they begin to find that the only way back to the top is through forgiveness.

A story of a man threatened by a fatal illness evaluating his life (the number 322 in the film title stands for the diagnosis of one kind of cancer). He understands his illness as a form of punishment for his cruel deeds in the 1950s. In the face of reality and his efforts to cleanse himself he hits a barrier of indifference, lack of interest, and individual and collective selfishness. He has to find his own reconciliation with his illness and his past and present life.

New husband Adam reluctantly takes a job with state security in a totalitarian country, thus becoming a secret police agent. This "contract with the devil" helps secure a flat for the happy couple, as well as a prosperous future. However, he soon finds out that he too is under surveillance.