Cradle Of Filth: PanDaemonAeon

in a near future where AIDS is the number one killer disease, an evil pharmaceutical boss, Dr. Hex, creates a drug called Serocaine, promoted as a miracle cure, that in reality results in hideous mutations. When Hex's top scientist discovers the truth he and his family are butchered by Hex's henchmen; their son Brian survives being drilled through the head though and becomes an unstoppable maniac bent on revenge....

A group of people is having a barbecue party when two Krishnas appear at their doorstep, both of which transform into hideous monsters and start killing everybody in gory ways. The survivors retreat to a friend's house and realize something bigger is going on...

A priest keeps the city clean from sinners.

Four young offenders and their workers spend a weekend in the remote Yorkshire village of Mortlake, which prides on keeping itself to itself. A minor incident with locals rapidly escalates into a blood-soaked, deliriously warped nightmare.

A couple of slackers' apartment is invaded by a garden shear-wielding maniac (think The Burning) bent on brutally murdering everyone in his path.

There is nowhere to hide...nowhere to run...the Zombie Apocalypse has come, and our world now belongs to the dead! From Ireland, Canada, Australia, Europe and all over the U.S., the bone-chilling news reports tell the same gruesome tale - walking corpses terrorize and devour the living. Only a few desperate humans find the courage to stand and fight for their last chance at survival. But the hordes of undead keep coming, and there's only one thing on the menu - us.

A gruesome homage to the cult Amicus anthology Asylum, Cradle of Fear unfolds four screamplays all linked by the unspeakable need of an incarcerated child killer to wreak vengeance on those responsible for his imprisonment. Helped by deranged angel Dani Filth, who leaves a trail of charnel house death in his crimson wake, the cannibal convict forces two Goth vamps to endure a one night stand from hell, two tough female robbers to see through each other, an obscenely rich coke-head to chop up more than a few lines and an internet surfer to descend into madness when he uncovers the ultimate web depravity.

This is the story of the beautiful young Pervirella. Set in the mythical English land of Condon, the grotesque, power-mad Queen Victoria builds a wall around the country and establishes a "Monarchy of Terror." Intellectuals and "pervs" are prosecuted and killed, or driven underground to form the "Cult of Perv." Their leader, the Demon Nanny gives birth to a possible savior, then dies. The infant Pervirella grows to maturity with supernatural speed and shows amazing abilities, including raging nymphomania whenever her magical necklace is removed. Pervirella is sought by various rebels, agents of Victoria, the Cult of Perv, and a trio of witches. Eventually she teams up with Amicus Reilly, a James Bond spoof played to stiff, campy perfection by the late David Warbeck. Wild adventures ensue!

In an old building, Bill and Blue, a call girl, discover a mutoscope and a secret room that is key to unlocking a dark secret related to Blue's family.

In England, bisexual British vampires free Californian Satanist Hyde from police custody; LAPD Detective Lutz and Interpol's Bureau 17 try to catch them.

An anthology film featuring 26 short horror tales by up-and-coming UK filmmakers.

It's shear bloody lunacy as two Yankee valley girls take a wrong turning in darkest England.

A walk on the thin borderline between reality and imagination. London cityscape that is real and yet impossible. Alex Chandon turns London upside-down and inside out in this ingenious M. C. Escher-inspired short. Pedestrians stroll under a watery sky as the Thames stretches across the heavens, whilst cars drive along the roof of Waterloo Bridge as book buyers browse oblivious below. The South Bank features prominently in delightfully askew visions, with deranged shots of the National Theatre and the Queen Elizabeth Hall undercroft (the haven for skateboarders, seen here leaping into oblivion). The Hayward Gallery, St. Martin in the Fields and many other London landmarks are also surreally readjusted. The ominous music by the Dark Poets and the destructive images suggest that this film should be unsettling, but in fact the effect is amusing rather than disquieting, and the chief pleasure of this short is in adjusting one’s perspective to recognise the famous locations.