There Are Many Things One Can Talk About...

A man recollects the conflict in the middle east through his personal memory. In this short documentary, Amiralay reflects on the first time he heard of Israel. Through recorded conversations with filmmaker Mohamed Malas, both Amiralay and Malas share their own unique stories and experiences about Israel and Israeli occupation. In the company of fellow Syrian filmmaker Mohammad Malas, the ground-breaking director Omar Amiralay revisits the ruins of the destroyed Golan village of Quneytra, occupied by Israel and then abandoned following the 1973 war.

The first documentary to present an unabashed critique of the impact of the Syrian government’s agricultural and land reforms, Everyday Life in a Syrian Village delivers a powerful jab at the state’s conceit of redressing social and economic inequities.

Interviews with Palestinians living in Lebanese refugee camps, some of it shot in Sabra and Shatila before the massacre.

A look at the Baath party's project to construct a system of dams.

In the destroyed city of Quneitra is the grave of a resistance fighter for Palestine. His son, the director, tries to restore the dead man's history by mixing echoes of his mother's memory and his desire to give his father a more honorable death. Through the daily lives, dreams, fears, and hopes of its citizens, Malas chronicles his hometown Quneitra in the Golan Heights between 1936, the year of the first revolts against the British and Zionists in Palestine until the year of the city's destruction. He seeks to exorcise a feeling of shame and humiliation that long accompanied the image of his father and also his town, occupied by Israelis in 1967.

The construction of a dam on the Euphrates River is an example of a country’s economic development. Through grandly composed images, rhythmic editing, and aestheticized details, the director demonstrates his admiration for the interwar avant-garde. The film is a celebration of the new, while at the same time showing a traditional way of life and calling attention to working conditions; it is a refrain-like evocation of an arid country that explores the difficult lot of Syria’s rural inhabitants.

On 22nd May 1985, Jean-Paul Kaufman and Michel Seurat were kidnapped by the Islamic Jihad on the road to Beirut airport. Seurat died after 8 months of captivity.

The Man with the Golden Soles is a Syrian documentary film by the director Omar Amiralay. The film, released in 2000, is about the then Lebanese Prime minister Rafic Hariri

Fateh Moudarres (1922-1999) was a crucial personage in Syrian artistic and cultural life, a pioneer of contemporary painting, a literate and prolific novelist. For about forty years has transformed his atelier, located in the center of Damascus, into a place of encounter and dialogue on art. The film is a journey of love to the artist's universe, to his works composed from memories of light, colors, and the shadows of a painful existence.

In the year leading up to a 1985 international conference on gender equality in Beijing, filmmakers all over the world took part in a series of documentary films exploring changing relationships between men and women. Amiralay, invited to explore the changing social and economic status of women in Egypt, chose his female protagonists from across classes—lawyers, actresses, domestic workers—and dared them to reveal the intricacies of their interior worlds.

Trained as an electrician, Nazih Shahbandar became fascinated with the technology behind film production and was one of the pioneers of cinema production in the 1930s and 1940s. In 1947, he set up a studio fitted with film equipment that was almost entirely of his own fabrication. He wrote scripts, built sets, and innovated new methods of sound recording and transmission. As an enthusiastic inventor, he produced and directed the first Syrian film with sound. His dream was to film and screen a 3D film. An ode to cinema, this documentary is a portrait of Shahbandar.