Nackt, wie Gott sie schuf

The deceased owner of a medieval castle stipulated the following in his will: The heir to his mighty estate would be the elder of the two stepsisters, Katharina and Margrit von Kronberg, namely Margrit, if she married Heinz Wagner, a cousin who had just returned from captivity. When Margrit observed Katharina and Heinz rendezvousing at a nearby lake, Margrit demanded that her husband leave the castle immediately, before she, the elder sister, and Heinz were married. Furious, Katharina then plotted to poison Margrit. Only when Katharina dreamed that the village youth would avenge Margrit's violent death according to ancient tradition and that she, Katharina, would be burned on a pyre like witches in the Middle Ages, did she, after awakening from this nightmare, abandon her bloody plan. Her change of will is rewarded: Heinz has decided to marry Katharina and not Margrit.

In spite of his blustering manner and his refusal to listen to what the patients have to say, Dr. Doppelsieder is highly respected in the Upper Bavarian town of Bayrischzell, because he (almost) always has the right remedy and effective advice ready for the sick. The only person he can't help is Pfundtner, the rich Guldenhof farmer. He wants a remedy that, after seven daughters, will finally help him and his wife to the longed-for farm inheritance.

A nostalgic story about life in and around a classic Vienna coffee house. The film is set in Imperial Vienna at the beginning of the twentieth century.

The young ice skating talent, Liesl, lands a part in a new Revue at the Palast Theatre simply because she is confused with someone else. In reality, the roll was to be awarded to Lu Panther, the untalented girlfriend of the theatre's owner, Wildner. After a series of accidents and little disasters, Wildner shuts down the theatre before the Revue can take place. But the Revue's director, Ernst Eder, decides shortly thereafter to present the Revue on an ice skating rink belonging to Liesl's uncle. After a successful run, at first at the Wiener Prater, the performers move on to Spain, Hungary, and a night club with a Jazz orchestra. The Revue becomes a huge success ... and, of course, Ernst and Liesl end up together, too.

The impoverished Count Lerchenau works under the name Rudi Lindt as a chauffeur. Because he is so well-loved by women, he lost his last position. His former servant Franz has not abandoned him in his time of need and the servant keeps trying to find a rich bride for the former Count. In the Grand Hotel, where the Count is supposed to be finding a suitable mate, he instead flirts with the attractive Alice. In order to get a job with the employer Ottokar Frühwirt, Rudi uses Count Lerchenau as a reference. But then the employer wants to speak with Lerchenau and Franz has to play the role of the Count. Alice, it turns out, is the employer's niece. When she finds out that Rudi is only a chauffeur, she wants nothing to do with him.

A romantic melodrama set in 19th-century Russia: magnificent uniforms, dashing officers, glittering balls. A young woman, unhappily married to an aging count, who is passionately in love with another man, must stand trial on charges of murder after her husband commits suicide.

In 19th-century France, doctor's wife Emma Bovary seeks to escape her dull provincial life through various extramarital affairs and extravagant spending, leading to tragic consequences.

When the Lutheran pastor Roland retires, the young priest Roll shall replace him. He plays the trumpet, loves Jazz and his methods are unconventional: From the first day on he offends the village's notables, but he doesn't care so much since he especially targets the youths, wants them to get back to the church again. However the mayor agitates against him, manages to endanger Roll's success. The conflict leads to vandalism and open violence against Roll.

The Catholic priest Hell takes the orphan Annerl into his house as a maid. This soon gives rise to wild rumors in the town. To put an end to the gossip, the young woman decides to get married. Her old childhood friend is the chosen one.

In the middle of the night, Nicki is once again haunted by intense feelings that she can't explain. A visit to the doctor is supposed to help and behold: the more he pokes around in the past, the more a connection between Nicki and her twin sister Karen becomes apparent. In addition, the two ladies are each pursued by a menacing man who roams the streets late at night with a knife and seems to be in cahoots with an oddball antiques dealer.

Andrea is a young woman with innocent looks, but a ravishing sexual appetite. By using her sexuality she can get most anything she wants, but as each days passes she gets deeper and deeper into a world that she despises and fears she will never escape.