Aurélie Dupont, Instants of Grace

Kyan Khojandi and Bruno Muschio (Navo) host different guests each week to spend A Good Time.

The guest of the day is received on a set, located in an apartment without an audience, and guided simply by the sound of the host's voice.

At a top Paris talent firm, agents scramble to keep their star clients happy—and their business afloat—after an unexpected crisis.

Presented as if it were an archive from the beginning of the 20th century, like a Pathé newsreel, this film tells the story of the life of Etienne-Jules Marey, the 19th century pioneer of photography and cinema, famous for studying animal and human locomotion.

Elise thought she had the perfect life: an ideal boyfriend and a promising career as a ballet dancer. It all falls apart the day she catches him cheating on her with her stage backup; and after she suffers an injury on stage, it seems like she might not be able to dance ever again.

An upper middle-class French family celebrates a birthday in a restaurant. In one evening and during one meal, family history, tensions, collective and separate grudges, delights, and memories both clash and coalesce.

When four distant cousins inherit a 19th-century home in Normandy, they decide to visit and examine their family history. No one has lived there since the 1940s, and the cousins are intrigued by all of the items they find there, little things that help them to understand their ancestor, Adèle Vermillard. Jumping back and forth in time, they meet the mysterious Adèle, whose bohemian lifestyle, and her relationships with the leading artists of the time, changes their lives.

A strait-laced French student moves into an apartment in Barcelona with a cast of six other characters from all over Europe. Together, they speak the international language of love and friendship.

Ten years after their Upper Sixth, Bruno, Momo, Leon and Alain meet together in the waiting room of a maternity hospital. The father of the awaited baby is Tomasi, their best friend at that time, who died one month before due to an overdose. They remember their teenage, their laughs, their dreams, their stupid pranks... a description of the French youth in the middle of the seventies.

Takes place twenty years after the events of “L’Auberge Espanole,” and follows Tom and Mia, the children of the film’s protagonists Xavier and Wendy, as they spend time in Athens.

Jean left his hometown ten years ago. When his father falls ill, he comes back and reunites with his sister Juliette and his brother Jérémie. As seasons go by around their vineyard, they'll have to trust each other again.

Five years after their summer together in Barcelona, Xavier, William, Wendy, Martine and Isabelle reunite.

Xavier is a 40-year-old father of two who still finds life very complicated. When the mother of his children moves to New York, he can't bear them growing up far away from him and so he decides to move there as well.

Pierre, a professional dancer, suffers from a serious heart disease. While he is waiting for a transplant which may (or may not) save his life, he has nothing better to do than look at the people around him, from the balcony of his Paris apartment.

Freshly installed in a country house with her husband and their 6-month-old son, Agathe discovers a child's bedroom that had previously been locked behind a partition. Untouched, nothing seems to have moved since the 90s. Even the old baby monitor abandoned in a drawer is still functional. Buoyed by her husband's enthusiasm, the young mother agrees to install their son there, at the price of hanging on to the device, listening for the slightest noise. But when strange emanations sow doubt and confusion in Agathe's mind, she will have to sort out her new environment, her latent fatigue and her maternal anxieties.

40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes.