Más que alcanzar una estrella

Compilation tape of Hora Marcada episodes.

Short directed by Juan Antonio de la Riva in 1979

A mexican wrestler's personal life struggles when he loses his fights.

Juanito is an eight year old boy who can predict the future, therefore the whole town is scared of him.

A horror anthology composed of four episodes from the TV series "La Hora Marcada".

A young architect has a double life: he has a beautiful wife and a sexy mistress. His friends advise him to choose one, but this three women gives meaning to his life, including his nosy mother-in-law.

In this film festival favourite, every day is magical in the tiny logging town of San Miguel de Cruces, Mexico, thanks to director Juan Antonio de la Riva, who captures the rhythms of small-town life through the stories of its inhabitants. From a young couple facing separation as the husband prepares to seek work in the United States to a pair of teens on the cusp of adulthood to the local movie theatre operator struggling to stay open after the introduction of satellite dishes, Pueblo de madera portrays a town—and a people—in transition.

Two sisters working hard to support their alcoholic father. The youngest sister "Obdulia" mutilates her hand in a work-related accident and her father tries to take advantage of the situation by demanding money from the workplace. Obdulia recovers from her accident and tensions arise with her family & boyfriend.

10-year-old Elisa, whose parents are about to lose their new car due to financial problems, plans a bank robbery.

Two traveling projectionists tour the villages of the mountains showing films in order to save money and build their own theater.

A priest recruits some secular friends of his to help him break the stranglehold a political boss has over their town's economy.

Musician Rosendo Nevárez learns of his brother Gabriel’s death in a remote spot in the Durango mountains and decides to return to his boyhood home to learn more about his brother’s untimely end. Gabriel, who was more widely known as the “Mountain Hawk,” led an outlaw’s life which was either that of a lowly criminal or daring do-gooder, as accounts of the man’s life vary depending on the point of view of the interviewee. As Rosendo digs deeper for the truth, it becomes apparent that Gabriel was a heroic figure worthy of the song his brother plans to write in his commemoration—if only Rosendo can overcome his growing envy for his brother’s immortal status as a swashbuckling rebel.