On Her Own

A look at the constitutional crisis that resulted in President Richard Nixon's resignation in 1974.

The old west is certainly dead, but Colorado pack burro racers don't know it yet. Everett Winfield - played by five-time world champion burro racer Curtis Imrie - runs and breeds his own stock. But all is not well at the ranch. When a bank officer refuses him a home loan, Winfield unwisely flaunts the prospects of winning $5000 at an upcoming race as his 'employment record.' Of course it's no dice. As options narrow, his current girlfriend offers to share her homestead. But not one to relinquish his free-range freedoms, Winfield instead becomes involved with a young rodeo queen half his age, to the chagrin of his same-age niece. As morals slip, and the financial noose tightens, Winfield drifts toward setting things right, old-west style.

"MORGAN’S CAKE is the story of a young man (Morgan Schmidt-Feng) about to turn 18, and all the problems that are set to befall him. His girlfriend is pregnant, he’s just lost his job, his mother is deserting him for a career move to New York City, and his divorced dad (Willie Boy Walker) can barely afford the small office space in which they live. Morgan’s most pressing problem is whether or not to register for the draft, and Walker, in a bravura performance, shares a real-life story of how he avoided military service in the late 1960’s. After a series of fateful encounters, Morgan finally saves his sanity by baking a cake." (from Fandor.com)

Chetzemoka's Curse is about a young, twenty-something woman, Maya (Maya Berthoud), who is haunted by the memory of her first love and her subsequent betrayal. She still feels the pain, works to exorcise it as she wiles away her life as a maid in a small town hotel. But her road to health seems to include passing the bad karma along. She encourages an older married man to run off with her and betray his wife and kids. Betrayal is in the air. Even an itinerant street musician sings about his infidelity. Bottom line, he says, is that he betrayed himself.

For Star Wars: Episode II - Attack of the Clones (2002), there were to be many more visual effects than in Star Wars: Episode I - The Phantom Menace (1999). This documentary shows many VFX meetings between George Lucas and ILM. Many of these meetings focus around the creation of a completely digital Yoda, used for the first time in the Star Wars films.

It may seem like it, but victims of stalking are not just celebrities and those in the public eye; the widely-misunderstood crime affects millions of people in the United States each year, people who are in perpetual fear for their lives; criminal psychologist Dr. Michelle Ward -- a stalking victim herself -- presents stories of the crimes and explores the twisted psychology of those who committed them; victims and their families also recount their personal experiences and provide firsthand insight into effective steps they took to protect themselves; Dr. Ward offers practical tips that viewers can use to keep themselves safe.

A young woman who dreams of opening her own restaurant lands a job at a prominent restaurant whose head chef becomes her unlikely ally when the restaurant's unscrupulous owner, a Master Chef herself, plots to return the place to its former glory by presenting her new assistant's recipes as her own.

An aspiring fashion designer falls in love with her socialite client's prospective fiance, Prince Jeffrey.

When Frankie Baldwin and Nate Deluca both have a claim to ownership of Sorrento Farm, they are forced to divide the vineyard right down the middle and work the fields alongside each other to bring in the harvest leading up to the Best Wine competition at the annual Autumn Harvest Festival -- only this rivalry won't be settled in the fields, because in spite of their contentious bickering, the simplest way to settle this particular legal dispute is with a romance.

Ben Burtt and his team explain the process of creating the sound for Star Wars: Episode II - Attack of the Clones (2002) in the all-new documentary "Films Are Not Released, They Escape".

As she considers giving up on her artistic dreams, Jamie paints a vision board that brings her success and love—only to discover that the mystery man in her painting isn't who she thinks.

Frankie and Nate are now a couple and are gearing up for Summer Fest, the town's largest event. They can't wait to reveal their new wine and put the vineyard on the map. But when an issue with the wine puts things in jeopardy, both the relationship and the partnership will be put to the test.

1980s New York was a very different place to the bustling cosmopolitan tourist magnet we know now, and the neighborhood that housed the Ravenite Social Club was a far cry from the gentrified boutique strip that exists today. Yet this series of interviews with the then-young artist clique who lived alongside one of the most prolific mafia networks offers a vivid insight into a city's colorful past.

LONELINESS IS SOUL features two young women, Meeka and Jessica who rent an Oakland apartment where an itinerate musician occasionally crashes. His presence in the household acts like a truth serum, somehow suddenly prompting everyone, including a strange "gift-giver" and prying landlord to tell their strangest real-life stories. His own hilarious tale about taking magic mushrooms on the beach helps convince the viewer that the only really "safe" path in life is to go directly for one's dream "full out," holding nothing back.

CRASH MY FUNERAL is a surreal comedy about a scriptwriter's block. In an attempt to pull his movie back on track he employs drastic measures; trying out impossible dialogue on a pizza delivery man, wandering around the neighborhood to scare up new characters and scenes, hoping for inspiration from every pretty girl that passes his way. In the end he realizes that the creation of art, for him, isn't fictional at all, but merely a collage of real-life moments in which he finds meaning and delight. Produced as part of Rick Schmidt Workshop.

Documentary filmmaker Robert Kenner examines how mammoth corporations have taken over all aspects of the food chain in the United States, from the farms where our food is grown to the chain restaurants and supermarkets where it's sold. Narrated by author and activist Eric Schlosser, the film features interviews with average Americans about their dietary habits, commentary from food experts like Michael Pollan and unsettling footage shot inside large-scale animal processing plants.