Possibly in Michigan

"Relating a tale told by a girl on a swing, Beneath the Skin explores the contrast between the impersonal horror of a news story heard on television and the involvement of the storyteller in a nightmare, which gradually becomes more familiar and commonplace as the tale unfolds. The straightforward approach of the teller is humorously or frighteningly contrasted by a bombardment of visual images which mock or intensify the macabre flavor of the work."

Invoking a biblical story of life coming from dry bones, Condit constructs an experimental narrative about an older woman’s confrontation with her own mortality after the death of her mother. The bone represents the promise of youth and hope—a promise jealously coveted by the young, but needed more by those grown old. Inverting cultural values, Condit represents feminine youth as a mannequin, and seeks humanity in the form of the older woman, who is reborn by overcoming her fear of death.

"Relating a tale told by a girl on a swing, Beneath the Skin explores the contrast between the impersonal horror of a news story heard on television and the involvement of the storyteller in a nightmare, which gradually becomes more familiar and commonplace as the tale unfolds. The straightforward approach of the teller is humorously or frighteningly contrasted by a bombardment of visual images which mock or intensify the macabre flavor of the work."

“World” is concerned with scale and time, moving between the smallness of a glass ball and the largeness and timelessness of the planet earth.

Pulling Up Roots is the emotional journey of a woman who is navigating the tenuous strain between the past and the future.

Pizzly Bear, a cross between a Polar Bear and a Grizzly Bear, is an environmental fairy tale about a little bear's confusion around its identity.

"I've Been Afraid" blends stories of women who have been threatened.

In 'Some Dark Place', filmmaker Cecelia Condit explores the dislocations of identity and memory that aging forces upon us without losing sight of life's beauty.

Invoking a biblical story of life coming from dry bones, Condit constructs an experimental narrative about an older woman’s confrontation with her own mortality after the death of her mother. The bone represents the promise of youth and hope—a promise jealously coveted by the young, but needed more by those grown old. Inverting cultural values, Condit represents feminine youth as a mannequin, and seeks humanity in the form of the older woman, who is reborn by overcoming her fear of death.

An experimental film looking at how a housewife struggles with the demands placed on her as a wife, mother, career-woman.

A woman questions the nature of what it is to be alive and human, conscious or man-made. While pondering her complex co-dependence on technology, she explores the earth and its pathways, all the while dragging electrical cords behind her.

'How many sparrows an I worth today?' As a means of measuring species, human performers take to the trees in the guise of birds.

A long-empty farmstead holds secret worlds, accidentally unlocked by an amateur photographer and his wife.

A young girl who plays a trick on a friend, unaware or uninterested in the possible consequences.

In All About A Girl, an ordinary game of "let's pretend" turns uncanny as, alone in the woods, a young girl projects life, voice and ultimately her own identity onto an unexpected surrogate in a doll's dress.

A video essay that seeks to represent, study and pay homage to the North American filmmaker Cecelia Condit, covering all of her film work and video installation, portraying her through devices of semiotics, aesthetics and cinematographic language.

"In Concert" is a 3 screen experimental film about the human species ongoing troubled relationship with nature.

An epic tale of a botched abortion as lived by two women on a perilous journey through a world that has little concern for their survival.