Bullshit

A family story that reveals the fate of the Armenian women driven out of Ottoman Turkey during the First World War. The story of "Grandma's Tattoos" is a personal film about what happened to many Armenian women during the genocide In 1919, just at the end of World War I, the Allied forces reclaimed 90,819 Armenian young girls and children who, during the war years, were forced to become prostitutes to survive, or had given birth to children after forced or arranged marriages or rape. Many of these women were tattooed as a sign that they belonged to abductor. European and American missionaries organized help and saved thousands of refugees who were later scattered all over the world to places like Beirut, Marseille, and Fresno.Director Suzanne Khardalian

Archaeological gardens and tunnels are built. Khaled and other Palestinians lose their homes. Lawyer Ziad gets angry new clients every day. Arieh and other Israeli settlers move in. PeÅ Holmqvist and Suzanne Khardalian follow a turbulent Jerusalem, 50 years after Israel took full control.

The first genocide of this century occurred during the first World War, when 1.5 million Armenians were killed, and an entire nation was driven from its land. Back to Ararat is the first film to examine this tragic episode in depth. Traveling from the old ruins to new Armenian communities around the world, the film presents a people united in its dream of returning to its homeland. But no one will listen to their arguments. In fact, Turkish representatives in the film argue the genocide never took place. Back to Ararat is a powerful reminder of a global injustice which has gone unaddressed.

Ayed is a young Palestinian psychologist living in the embargoed territory of the Gaza Strip. Young Freud in Gaza follows him over the course of two years. This is a turbulent part of the world: suicide attacks, demonstrations and armed combat are the order of the day. In Ayed's own words, "We need a million psychologists in Gaza." The inhabitants of the Gaza Strip are constantly confronted with violence, and this has its repercussions on their mental health.

Cecilia Uddén, known as "Camelen", is a Middle East foreign correspondent working for Swedish Radio and alone in having been awarded Stora Journalistpriset ("The Swedish Grand Journalism Prize") twice. This film chronicles her life in Cairo, thereby highlighting the complex situation and conflicts in the Middle East.