Eva Zacharias

Lisa is a judge, 44 years opld and divorced. She lives with her 18 year old son Georg. For seven years she has had a weekend relationship with Felix. Suddenly her life takes a drastic turn when she falls for 23 old law trainee Rudi.

Little Marie is turned into a maid, a Cinderella, by her stepmother, while her stepsister Clothilde is pampered. One day, Prince Leonhard and his friend Peter appear, both disguised as servants, and present Clothilde with an invitation to a masked ball. Cinderella falls in love with Leonhard and fights to be allowed to go to the ball because she wants to see her supposed servant again. However, the ambitious stepmother only gives her own daughter a beautiful dress. But the magic tree on Marie's mother's grave throws down a beautiful dress. Cinderella shines at the ball and enchants the prince, but just before midnight, before the spell expires, she flees. Will the prince be able to love a Cinderella?

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

Tatort is a long-running German/Austrian/Swiss crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

Due to the accidental death of Pichler Bauer his wife Ilse, Granny Burgi and especially the youngest daughter Anna are suddenly alone on the mountain farm. Contrary to expectations and traditions, Anna inherits the farm. A well considered decision of the father: For Anna wants to stay mountain farmer, to preserve the inheritance of her father. In contrast to her mother and her uncle. In order to receive her father's farm and to be able to cope with the heavy and exhausting work, Anna hired a Bosnian guest worker, a Muslim, as a servant. They manage to continue the successful business on the farm.

Anna and Bogdan's decision to say goodbye to each other, made with a heavy heart, is put to the test: Anna is pregnant and decides to have an abortion without involving Bogdan. As is so often the case, however, events in a small community such as the three women at the Pichlerhof cannot be kept secret. Burgi informs Bogdan. But Anna's strategy of silence also involves him in a chain of disastrous misunderstandings. Once again, Anna's thick head gets her into big conflicts. In the end, it is Burgi, the old granny, who turns fate around with her bluntly self-centered wisdom.

Four years have passed since Bogdan left the Pichlerhof and Anna remained heartbroken. At first glance, the farm with its "three-women economy" is well there. Neighbor Gerhard builds on a common future with Anna. Then suddenly Bogdan reappears. He has made a career and wants to ask Anna - the woman of his life - to come with him. The encounter surprised both and brings everything out of balance.

Otto is the proud father of his three children, David, Julia, and Pius. This requires considerable logistical skill, as the three mothers must not know anything about each other. The game of hide-and-seek is about to be exposed when the nanny, Maria, has to go to the hospital. Otto hopes for help from the loner Josef, a bar acquaintance. It's only a matter of time before the house of cards collapses and the mothers discover the well-kept secret.

At the end of the 1960s, in the midst of political and social turbulence between revolt and reaction, journalist and filmmaker Oswalt Kolle fights for his ideas of liberal sex education with great commitment and sometimes missionary zeal. But Kolle has to fight against fierce resistance: The German Film Industry's Voluntary Self-Regulation Body (FSK) wants to put his latest film "The Miracle of Love" on the index. In a tough and at times unintentionally comical battle, Kolle has to go through three instances before he wins full approval for the film with the help of his agile producer Lenz Schäfer and the resourceful lawyer Dr. Fritz Ascher.