The Brand New Testament

Finger ballet telling the story of romance on a table-sized stage.

È pericoloso sporgersi tells the story of a child who has been thrust into a position where he must make an impossible decision.

Nemo Nobody leads an ordinary existence with his wife and 3 children; one day, he wakes up as a mortal centenarian in the year 2092.

An unusual and wonderful friendship develops between a busy but unhappy salesman and a resident of a mental asylum.

80-year-old Thomas recounts his childhood and middle age through a series of flashbacks and dream sequences. Thomas believes he’s been taken away from a better life at birth; following a hospital fire, he vividly recalls being swapped with another new-born, and subsequently grows up in a poorer neighbouring household.

40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes.

While his parents are away, a little city boy goes to the countryside. This stay will be one of initiations and forbidden games in the company of Maedeli, a little girl who is not afraid.

Theatre film based on the debut novel of french writer Gustave Flaubert. Performances by Maaike Neuville and Koen De Sutter at KVS, Brussels.

Juliette is frantically running away from a man when a car hits her. Lying in the street, semiconscious and stunned, she commences counting. She knows that if no one helps her by the time she reaches 100, something terrible will happen.

A prison guard is attracted to a woman at his weekly tango class. They meet again when she visits her husband in the prison where he works and he is drawn into her complicated romantic life. Meanwhile the prisoners are learning the tango.

Maria Garcia (Carmen Maura) is a television journalist and she's about to be a single mother. Her career foremost in her mind, she doesn't slow down even for a minute, despite her pregnancy. She is, however, taking Lamaze classes and is quite competently coping with the romantic attentions of a man she's not very interested in. It's not at all irrelevant that her news beat includes stories on terrorism, the greenhouse effect, pollution and genetic engineering, because when her baby's due date comes and goes, she starts hearing from her infant from in the womb. It is telling her that it and many other babies are refusing to be born into such a horrible world. She learns that this is true, and that the children born through induced labor are dying.

It's the end of the school year. The long-awaited moment of the holidays is arrive. The little Nicolas, her parents and Grandma take the road towards the sea, and settle in for some time at the Hotel Beau-Rivage.

A storm is on the horizon. When a jet-black cloud engulfs a small village, the residents discover that it could put an end to more than just blue skies.

A cinematic journey behind the scenes of a dream reimagining the story of Pegasus, the winged horse from Greek mythology, through a mischievously captivating tale divided into six acts.

A collective documentary film, from five european directors asked to witness the revolutions and dramas caused in their own countries by the pandemic. Among them, “Two Fathers”, directed by Julia von Heinz (20’). After the death of his father, Hans-Michael von Heinz, the director finds out the truth about her parent true sexual identity. In order to know more, she starts emailing persons who got to know him over the last years, among them his closest friend, director Rosa von Praunheim.