White Madness

Antenna gives a snapshot of the 1970s. The film is a typical work by Ditvoorst: freedom of the individual, the desire for a utopia that does not come true, the lonely and misunderstood artist, the aversion to the state, bureaucracy and religious authorities, absurd side characters etc. The film has little dialogue and is largely told through the images of cameraman Jan de Bon

A conscript is given leave to visit his wife who has been admitted to hospital after a road accident. Dutch student film in the vein of the French Nouvelle Vague, praised at the time by directors like Godard and Bertolucci.

Afraid that man will in time become a threat to the inhabitants of heaven, governor angel Lucifer leads a rebellion against God. Registration of Joost van den Vondel's classic stage play, performed by the Publiekstheater.

A journalist has to interview a blind photographer.

Although it was actually an impersonal commissioned film, the director's style is clearly recognizable. Once again he manages to make something that is normal very strange: the dancing people in costumes are filmed in such a way that they look bizarre and absurd. Jan de Bont's camerawork shows a series of color images of dancing people, edited to the rhythm of the music. Halfway through the film, a lonely clown can be seen among the dancing crowd, accompanied by sad music. This clown is played by Ditvoorst himself.

A man is under the illusion he is a wanted war criminal.

Paul Flanagan is released from jail after serving for 8 years. He only has two things on his mind. First: to retrieve the money from the robbery he was convicted for. Secondly: to get revenge on his partners in crime (his half-brother Paul and his ex-lover Cathy), who got away Scot free and never once visited him in jail.