Popa Wu: A 5% Story

At night, the streets of Harlem are haunted by lost souls. Bodies that drift around in the darkness and bear the weight of the past on their shoulders. The Haitian man Frenchie is one of them, and his accentuated stutter bears witness to exile and years of abuse. But he is more than just that in Khalik Allah's new, hypnotic film opus, which turns the American tradition of social realist street photography into its own art form.

The second "visual album" (a collection of short films) by Beyoncé, this time around she takes a piercing look at racial issues and feminist concepts through a sexualized, satirical, and solemn tone.

Set entirely at night, Field Niggas takes us to the corner of 125th Street and Lexington Avenue in Harlem and introduces us to its faces. The non-synch audio track consists of conversations with and among those faces: dreams, regrets, arguments, affection, observations, opinions.

With raw, harrowing honesty, photographer-filmmaker Khalik Allah explores the complex relationship between artist and subject as he reflects on his friendship with a homeless addict living on the streets of Harlem.

NYC based photographer, Khalik Allah, travels to Jamaica to connect with family and document the streets. This is his synopsis.

Part film, part baptism, in BLACK MOTHER director Khalik Allah brings us on a spiritual journey through Jamaica. Soaking up its bustling metropolises and tranquil countryside, Allah introduces us to a succession of vividly rendered souls who call this island home. Their candid testimonies create a polyphonic symphony, set against a visual prayer of indelible portraiture. Thoroughly immersed between the sacred and profane, BLACK MOTHER channels rebellion and reverence into a deeply personal ode informed by Jamaica’s turbulent history but existing in the urgent present.

Images reflecting on a solitary life in a Swedish apartment. In old age, a woman confronts her feelings towards the man she used to live with, but whom is no longer around.

Short film profiling Azreal, the first white member of the Five-Percent Nation.

Khalik Allah’s unflinching follow-up to his short URBAN RASHOMON breaks down the barriers between photography and cinema to create a free-associative portrait of a mentally ill homeless man named Frenchie. 9Filmed May 4th, 9th, 17th 2013. Harlem, NYC0