Suske en Wiske en de Windbrekers

A bitter, miserable man runs a chaotic secondhand store, mistreating both his assistant and his customers. One day, a young brother and sister enter his shop, hoping to sell a cherished golden watch. Their arrival disrupts the owner's stingy routines, plunging the children into a surreal, unpredictable world managed by eccentric adults. Frans Buyens’ mid-length feature is a whimsical, satirical fable exploring the clash between childhood innocence and adult greed.

Five rather frivolous musicians seize the opportunity to perform on a cruise in the Mediterranean. Alas: they are under contract to engage a female singer - and they fear to fall in love with her, which would endanger their friendship.

Joop is sleeping in the apartment of his friend Bernard. He is waken up by a woman who is looking for Bernard. Later they babysit the neighbor's granddaughter. A little short film from the Scorpio period. Jan de Bont behind the camera.

Joop tries to tell his friend Loes that he loves her but is repeatedly interrupted.

After lengthy discussions with Willy Vandersteen, the artist of the comic strip, this series was put into production in 1973. This happened in collaboration with the Flemish actor and producer Wies Andersen. Instead of adaptations of the existing comics, six new stories were chosen. The puppets were given multiple facial expressions and the sets and props were made based on detailed designs by Studio Vandersteen. Lambik always acts as narrator. A striking difference with the comics is that Jerom's doll now has its eyes open.

Documentary on legendary Belgian billiard player Raymond Ceulemans.

Jonny loves Jessy, but he likes his car even more and therefore Jessy breaks up with him.

In this debut comedy by director Erik Terpstra, an ordinary middle-class gentleman picks up a colorful but degenerate and no-good beatnik/hippie hitchhiker and inexplicably invites him home to meet the wife and kids. The resulting conflicts between the hitchhiker, who respects no rules or boundaries, and the family, provide the substance for most of the humor in this sincere but not especially well-thought-out film. Reviewers who saw the film at the 1967 Mannheim Film Festival expressed the opinion that it was an unformed work by a promising talent.

Filippi is a circus clown who lives a double existence: on stage he is successful and beloved, but privately he is consumed by jealousy and emotional fragility. He is in love with Arlette, a trapeze artist, but she prefers his rival Mario. When Filippi attempts to eliminate Mario, the situation spirals into tragedy, leading to Arlette’s death. Unable to cope with guilt, Filippi becomes trapped in a downward spiral of remorse, illusion, and emotional collapse. The story is largely told through flashbacks within the circus environment, blurring reality and memory.

A portrait of two old people whose dialogue is echoed by internal monologue. A visitor, possibly their nephew, disrupts the routine of their day.