Lover Other

Devotion investigates the extremely complex and heirarchical relationships among a committed group of Japanese filmmakers who dedicated up to 30 years of their lives making films for one man-Ogawa Shinsuke. Members of Ogawa Pro filmed the student movement of the late 60's; the fight by farmers to save their land from government confiscaton for the Narita airport at Sanrizuka; and the village life of a small farming community, Magino Village, in northern Japan. These heartbreaking and sometimes funny stories have never been told on film before. Rare footage, stills, and diaries with interviews with Oshima Nagisa, Hara Kazuo and Robert Kramer make this historical inquiry visually exciting as well as valuable.

A celebration and collage of lesbians, including footage of the Women's International Day march in SF and joyous dancing from the last night of the second Lesbian Conference where Family of Woman played; as well as images of women doing all types of traditional "men's" work.

A hand plays with a vagina as the same scene drifts over a sea of erotic rock formations.

It shows a family where the son makes a wish to switch sizes with the father so that he can be the boss for a change. The father doesn't like this at all. After a while, the son slowly realizes that being a grownup isn't all that easy. Unfortunately, the father doesn't seem to realize that the same holds true for being a kid.

A comedy about a troop of shield-bearing Amazons who take over city institutions before relaxing in the country. "Superdyke" takes women into the streets when Barbara arms of a platoon of vagina warriors with Amazon shields in an attempt to overthrow San Francisco. They march through City Hall, usurp the bus lines, demythologiz the consumer mentality at Macy's (to the recorded astonishment of casual shoppers), and wander through the erotic art museum. Barbara's frenetic handheld lens catches the startled reactions and the glee of the participants. SUPERDYKE has a home-movie quality to it, but its committed and loose moments in the playground confirm its comic rationale.

From 2015 to 2017, Lynne Sachs visited with Carolee Schneemann, Barbara Hammer and Gunvor Nelson, three multi-faceted artists who have embraced the moving image throughout their lives.

Four stages of a lesbian relationship explored in an experimental film starring performance artists Terry Sendgraff and Barbara Hammer on suspended trapezes and ropes.

Essay documentary explores eroded emulsions and images for lost vestiges of lesbian and gay culture. First feature by a pioneer of lesbian cinema, Hammer weaves gay and lesbian couples with footage that unearths the forbidden and invisible history of a marginalized people.

1968/69, transferred S8 mm film, 4:3, color, silent, 5:19 min, Edition of 7 + 2AP

The filmmaker, fighting ovarian cancer, stage 3, returns to her experimental roots, in a multilayered film of numerous chemotherapy sessions with images of light and movement that take her far from the hospital bed. A a cancer ‘thriver’ rather than ’survivor’, Barbara Hammer rides the red hills of Georgia O’Keefe’s Ghost Ranch in New Mexico, the grassy foothlls of the Big Horn in Wyoming, and leafy paths in Woodstock, New York changing illness into recovery. The haunting and wondrous music of Meredith Monk underscores and celebrates in this film that lifts us up when we might be most discouraged.

Maya Deren's Sink, a 30 minute experimental film, is an evocative tribute to the mother of avantgarde American film. The film calls forth the spirit of one who was larger than life as recounted by those who knew her. Teiji Ito's family, Carolee Schneemann and Judith Malvina, float through the homes recalling in tiny bits and pieces words of Deren's architectural and personal interior space. Clips from Maya Deren's films are projected back into the spaces where they were originally filmed appearing on the floorboard, furniture, and in the bowl of her former sink. Fluid light projections of intimate space provide an elusive agency for a filmmaker most of us will never know as film with its imaginary nature evokes a former time and space.

The Female Closet uses archival photographs, home movies, interviews, and other visual materials to explore the closeted lesbian stories of artists Alice Austen, Hannah Höch and Nicole Eisenman. Utilizing groundbreaking research, newly discovered home movies, and archival photographs, and other visual sources, The Female Closet is a cultural interrogation of the closeted and not-so-closeted lives of three women artists.

What do construction workers do in their well-earned breaks? How might Angelina Jolie's and Brad Pitt's relationship have ended? And what really happened between Marilyn Monroe and Joan Crawford during the summer of 1959? The answers to these and many other interesting questions are provided by twelve queer New York filmmakers. Their films also scrutinize such topics as the difference between the way men and women dream, and how erotic tying a necktie or having a manicure can be.

Welcome To This House, a feature documentary film on the homes and loves of poet Elizabeth Bishop, is about life in the shadows, and the anxiety of art making without full lesbian disclosure. Hammer filmed in Bishop's best loved homes in the U.S., Canada, and Brazil, believing that buildings and landscapes bear cultural memories. Interviews with poets, friends,and scholars provide missing documents of numerous female lovers. Bishop's intimate poems and the creative music composition by Joan La Barbara bring the poet into our lives with new facts and unexpected details.

Early Super 8 short by Barbara Hammer.

"Available Space is a film made for performance on a 360 degree rotary projection table. A woman breaks through confining architectural space, the limited space of a film frame, and the boundaries of a movie screen. Unexpected angles, corners, slants, floor and ceiling are engaged in unexpected play and projection. The film can also be shown as a single channel without live performance." — Barbara Hammer