Bad Luck

Bari, the last chills of a very cold winter. A gang of petty criminals rummages through the day and night of the suburbs, searching for a precious package sent from the Balkans and destined never to reach its final destination. What does the package contain? Important material for our characters; for the viewer, a passe-partout that opens the door to a jagged and surprising urban undergrowth.

A man recruits the help of his gangster brother-in-law to retrieve his stolen car.

The rise and fall of a Neapolitan criminal clan through the story of a boss and his family, divided between the aspiration for a bourgeois life and the deep impulses of oppression. Thirty years of history of one of the most beautiful and discussed cities in the world, the dream of a boy who is overwhelmed by the desire for power as an end in itself, to become the nightmare of a man and those who live next to him.

A story about Hannah (Anna Åström), a young woman who is very shy on the outside, but whose inner world is deep, exciting and vibrant. One day, Hannah notices a house that looks as if it is cut out from a hip home decorating magazine. Intrigued, she decides to break in and try to find out who owns this emotionless beautiful home equipped with high-end technology. While at first Hannah enjoys the luxury, she starts to notice on each visit that Max (Stipe Erceg), the owner of the house, is excessively obsessed with his physical possessions. He has spent a lot of time to make sure that everything external meets the society’s standards that he has forgotten himself. The things that he himself likes, the activities that make him smile, and the people who make him happy. Having realised that, Hannah starts leaving hints for Max, so as to shake him out of the the everyday emptiness and make him focus on what is important.

Four 12-year-olds—Sharon, Tom, Moishy, and Sophie—prepare for their bar or bat mitzvot.

October 1962, the height of the Cuban missile crisis… Norbi, 12, lives in a small industrial town typical of southern Luxembourg. His father, very authoritarian, owns a bookstore-stationery that also serves as a store for religious items. That year, Norbi will be confronted with mysteries about sexuality, religion and war. Norbi will discover a new world, for him, it's time to show that he is no longer a child. Will Norbi obey?

Phaethon asks to ride the sun chariot for a day. Helios tries to dissuade his son – but in vain. When the night ends, Phaethon mounts his father's precious sun chariot. The four horses race off but soon, control of the chariot is lost. Phaethon leaves the daily route between Heaven and Earth, triggering a catastrophe of universal proportions.

UNIVERSALOVE is a global love story. Six episodes in six different places of the world are told in a symbiosis of modern story-telling and popular music. UNIVERSALOVE is an experiment - a global love story. The interwoven storylines are located in Brooklyn, Rio de Janeiro, Tokyo, Belgrade, Marseille and Luxembourg. The laconic narrative style captures moments that set the viewer on a journey around the globe and deep into the emotional worlds of very different characters affiliated with different cultural spheres and languages.

They say anything is possible in Las Vegas. Hank and Jack live this credo to the full and not just in poker. When Hank decides to run three back-to-back marathons in 24 hours, their friendship is suddenly challenged by a million dollar bet, pushing their limits both physically and emotionally. Inspired by true events, director Thomas Woschitz infuses his wonderfully bold take on the indie genre with a multi-faceted narrative that is universally relevant. When the stakes are high, you better know the odds.