A Tram Crowd on Sunday in Dam Square

A short clip of Wilhelmina and her mother Emma in a horse-drawn carriage, receiving flowers from the crowd.

Windmills along the River Zaan.

Filmed on a mountain railway from Caux to Rochers de Naye, Switzerland. Originally filmed in 68mm. The film was advertised as being available in 'standard Edison gauge' (35mm) at a total length of 620ft, which included both ascent and descent. The surviving combined 35mm footage (from 68mm originals) equals 519ft.

Eye Filmmuseum and the British Film Institute present a compilation film of newly-restored rare images from the first years of filmmaking. Immerse yourself in enchanting images of Venice, Berlin, Amsterdam and London from 120 years ago. Let yourself be carried away in the mesmerizing events and celebrities of the time, and feel the enthusiasm of early cinema that overcame the challenge of capturing life-like movement.

A man with a tin of Van Houten Cocoa is treated to a splash of water.

Tracking shot across a bay showing a large number of fishing boats.

In April the bloemencorso (flower parade) takes place in Haarlem in the Netherlands. This shot shows groups of carriages, festooned with flowers parading in a grassy area with onlookers.

Prinsengracht is one of the main canals of Amsterdam. While on board of a ship, we'll get to see the city buildings, its bridges, and every day scenes: from people walking down the streets to carriages, other ships and so on. It's just a regular non fiction movie -hundreds alike were made showing beautiful (sometimes not so) exotic places-. But this one was particularly special to me, must have been its saddened atmosphere. Filmed by Emile Lauste (according to the information I've compiled), this man was sent over to the Netherlands by the Biograph Company to film some movies in this country (Lumière agents worked in a very similar way).

Film produced by William K. Dickson’s British Mutoscope and Biograph Company.

As Camilla sleeps in the garden of Tollhouse Inn, Roland steals a vial of elixir from under her skirt.

In September of 1899, the French cameraman Emile Lauste visited the Netherlands for the second time that year. [...] One of the subjects that Lauste briefly filmed was children on the island of Marken. We see the children passing by in a rowboat, and dancing in a circle. The traditional costumes and the watery environment looked very exotic to foreign audiences. The footage jibed very well with the perceptions that people had of the Netherlands in those days.

Near the fountain on Amsterdam’s Frederiksplein, various people kneel down in venerating poses. The film was shot from the Paleis voor Volksvlijt.

Short film of the audience leaving the afternoon show at Circus Carré in Amsterdam. In the early years of film, shots of visitors after a performance, churchgoers after a service, or workers leaving the factory were a proven success. Often the images were shown only a few days after they had been shot. These screenings attracted many curious viewers who enjoyed looking for images of themselves, of relatives, or acquaintances.

A group of supervised orphan girls walking through the streets of Amsterdam. Shot on 68mm Mutoscope-Biograph.

Reportage about the visit that the delegates to the First Peace Conference at The Hague made to the floral parade in Haarlem. [...] Although the original goal – a treaty on disarmament – was not reached, other treaties were indeed agreed upon, for example a ban on the use of poison gas and the dropping of bombs from balloons. [...]The group, consisting of 175 guests, made a special train trip to Haarlem on June 4, where they visited the floral parade and the Frans Hals Museum.

Part of the 'Giant Postcards' series, a filmed entr'acte screened during the play 'De Nieuwe Prikkel' by August Reyding. Camilla and Roland take the pont across the IJ to go to the Tolhuis amusement park.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.