The Trouble with Dot & Harry

Sledge Hammer! is an American satirical police sitcom produced by New World Television that ran for two seasons on ABC from 1986 to 1988. The series was created by Alan Spencer and stars David Rasche as Inspector Sledge Hammer, a preposterous caricature of the standard "cop on the edge" character. Al Jean and Mike Reiss, best known for their work on The Simpsons, wrote for the show and worked as story editors.

A new science fiction film from director Gary Walkow starring Kelsey Grammer.

They Came from Outer Space is an American science fiction comedy series that aired in syndication from October 1990 to March 1991. The series was created by Tom McLoughlin.

William Pierce (Nelson Franklin) is a practical, rational man who suddenly finds himself face to face with the paranormal when he starts receiving phone calls from the dead on the cell phone his recently-deceased fiancée (Melissa Ordway) left behind.

Dick Kendred (Tom Villard) is a frustrated writer whose latest book has been turned down by every publisher around. His work seems to be missing one key ingredient: half-nude chicks. In an effort to cure his writer's block (and get some much needed inspiration), Dick rents a room from a couple of women who waste no time hitting on him. Talk about invoking the muse! This lighthearted romp won the Grand Jury Prize at the Sundance Film Festival.

The true story of two murders that shaped the lives of several college students who went on to become some of the most influential writers of the "Beat Generation."

Adapted from Dostoevsky's novella, Henry Czerny plays the narrator, Underground Man. Filled with self-hatred, he keeps a video diary where he discusses his own shortcomings and what he thinks is wrong in contemporary society. His bitterness spills over at a dinner party attended by his old college friends, an occasion which sends him running to a nearby brothel, where he meets Liza (Lee), a young prostitute.

It sounds like a budding writer's dream: a bestselling first novel, a luxurious house in Malibu, and a trophy wife... But it all unravels when writer's block and a failed marriage send Richard McMurray out into the streets.

Mary (Kate Lyn Sheil) lives alone. She is waiting for something to happen in her life. Riding the elevator to work, a strange man, Hayward, grabs her shoulder and speaks to her telepathically. “Do you believe in magic?” This triggers a nervous breakdown. After a visit to the emergency room, Mary goes to stay at her sister’s house, and goes into therapy. Mary can now hear people’s thoughts, and she starts hearing music that seems to be broadcast from her mind. Adapted by Gary Walkow from his novel of the same name.

Philip Van Horn, who left his small town a long time ago to become a Hollywood actor and hasn't had any success at that, returns to the town for a visit. There he is uniformally met like some kind of celebrity and movie star. He uses it to impress his (and everybody's) school love Dorothy, her life now a grey boring experience.

Some chase money, fame or power. For Maxwell Colonna-Dashwood and his wife Lesley, it’s flavor. From award-winning director Gary Walkow (with a little help from his son Harry) comes Chasing Flavor, a caffeine-fueled adventure through the world of speciality coffee. Shot over a period of six years, the film follows the Dashwoods from scientific laboratories to the World Barista Championship and beyond in their quest for the perfect cup. You’ll never look at your morning coffee the same way again.

Existential Risk is a film about the possibility of human extinction or civilizational collapse, as these questions (and others) are grappled with in Cambridge, England. A personal documentary in which the filmmaker's own existential crisis (micro) is contrasted with planetary risk (macro).

Gary Walkow shot this film in 1977 and completed it in 1978. In the August 1979 issue of "American Cinematographer" Tom Frei wrote an article "Moving Camera Shots inside a Moving Automobile." The entire film was shot inside of a Oldsmobile Starfire. Gary looped the entire soundtrack but now feels it would have been much better using the production sound. Oh, well.

A well-observed, plausibly troubled love story