Going Medieval

Set during the early part of his reign, Ivan faces betrayal from the aristocracy and even his closest friends as he seeks to unite the Russian people. Sergei Eisenstein's final film, this is the first part of a three-part biopic of Tsar Ivan IV of Russia, which was never completed due to the producer's dissatisfaction with Eisenstein's attempts to use forbidden experimental filming techniques and excessive cost overruns. The second part was completed but not released for a decade after Eisenstein's death and a change of heart in the USSR government toward his work; the third part was only in its earliest stage of filming when shooting was stopped altogether.

In 1415, in the midst of the Hundred Years' War, the young King Henry V of England embarks on the conquest of France.

Enraged at the slaughter of Murron, his new bride and childhood love, Scottish warrior William Wallace slays a platoon of the local English lord's soldiers. This leads the village to revolt and, eventually, the entire country to rise up against English rule.

In 1415, in the midst of the Hundred Years' War, the young King Henry V of England embarks on the conquest of France.

Devout Christians Töre and Märeta send their only daughter, the virginal Karin, and their foster daughter, the unrepentant Ingeri, to deliver candles to a distant church. On their way through the woods, the girls encounter a group of savage goat herders who brutally rape and murder Karin as Ingeri remains hidden. When the killers unwittingly seek refuge in the farmhouse of Töre and Märeta, Töre plots a fitting revenge.

Sir Walter Scott's classic story of the chivalrous Ivanhoe who joins with Robin of Locksley in the fight against Prince John and for the return of King Richard the Lionheart.

A Muslim ambassador exiled from his homeland joins a group of Vikings, initially offended by their behavior but growing to respect them. As they travel together, they learn of a legendary evil closing in and must unite to confront this formidable force.

This is the second part of a projected three-part epic biopic of Russian Czar Ivan Grozny, undertaken by Soviet film-maker Sergei Eisenstein at the behest of Josef Stalin. Production of the epic was stopped before the third part could be filmed, due to producer dissatisfaction with Eisenstein's introducing forbidden experimental filming techniques into the material, more evident in this part than the first part. As it was, this second part was banned from showings until after the deaths of both Eisenstein and Stalin, and a change of attitude by the subsequent heads of the Soviet government. In this part, as Ivan the Terrible attempts to consolidate his power by establishing a personal army, his political rivals, the Russian boyars, plot to assassinate him.

Having failed in their quest for the Holy Grail, the knights of the Round Table return to Camelot, their number reduced to a mere handful. Seeing a rift developing between Lancelot and Mordred, Arthur urges his knights to bury their differences and become friends. However, the King is unaware that Lancelot is having an affair with his queen, Guinevere. Lancelot is torn between his duty to his king and his love for the queen, whilst Mordred is determined to use his infidelity to destroy him.

As the plague decimates medieval Europe, rumours circulate of a village immune from the plague. There is talk of a necromancer who leads the village and is able to raise the dead. A fearsome knight joined by a cohort of soldiers and a young monk are charged by the church to investigate. Their journey is filled with danger, but it's upon entering the village that their true horror begins.