Tobi ga kururi to

Living in Ikebukuro — an area infamous for juvenile crime, 21-year-old Makoto Majima becomes associated with a youth gang called the G-Boys. A troubleshooter known for his cool headedness and ability to get things done, Makoto diffuses tense situations around Ikebukuro to keep his friends and others out of harm's way. However, the mysterious death of his girlfriend and an escalating gang turf war threaten to be more than Makoto can handle.

Masako, a five-year-old girl living, gets a scratch on her finger. After that, she suffered horrible spasms. The doctor checks on her and arrives at the conclusion that she has tetanus. Her parents have to bear the sufferings of their child. The once peaceful family has changed completely.

Disaster befalls a village's inhabitants every 300 years. A popular self-styled magician named Naoko (Yukie Nakama) is summoned as a deity to rid the people of their anxiety. But there are many would-be deities there, each posing as a god. When a series of bizarre incidents occur, Naoko is cornered with a genius physicist (Hiroshi Abe) and Detective Yabe (Katsuhisa Namase). Do deities actually exist, or are they charlatans?

Jam Films S is a Japanese omnibus movie. It was released by Phantom FIlm in Japan on January 15, 2005. The movie follows 2002’s Jam Films and its 2004 sequel Jam Films 2. This time around, the overall theme is “S” which stands for succession, success, and special. There are seven shorts, all produced by Ryuhei Kitamura. Included are the shorts Tuesday by Kenji Sonoda, Heaven Sent by Ryuichi Takatsu, Blouse by Hitoshi Ishikawa, New Horizon by Ryo Teshima, Suberidai by Yuichi Abe, Alpha by Daisaburo Harada, and Suit by Masaki Hamamoto.

Yamaguchi, Ichikawa and Kosuge dress in white military-style uniforms to "clean" the streets of Shibuya from bad elements. After rightist gang boss, Aota takes an interest in the three, the boys gradually become influenced by him, but start to go their different ways.

On her 18th birthday, Nami witnesses the brutal murder of her parents by a man with a burn on his hand. She is then falsely accused of the crime and sent to jail. Sworn to vengeance, Nami battles corrupt officials and cruel inmates to escape prison, only to search through the underbelly of Japanese society to find the man with a burn on his hand, ‘stinging’ anyone in her way.