Song of Man

Boev, an enthusiastic form master, is trying hard to establish rapport with his final-year students. His frankness, buoyancy and good nature soon make him a universal favorite. The only one who does not approve of him is headmaster who loves his job, but is not aware of how dated his own views are and cannot understand the young teacher. Apart from this, Boev comes in into particularly sharp conflict with his colleague and childhood chum Kiril who is consumed by jealousy and the ambition to get promoted quickly.

Based on Zahari Stoyanov's memoir, the series chronicles the preparation, heroic efforts, and tragic crushing of the 1876 April Uprising by Bulgarian revolutionaries against Ottoman rule.

Stefan and Tanya arrive in a miners' settlement. They register as a married couple at the hostel, but Tanya admits to the house managers that Stefan has a wife but has started divorce procedure. The two have fled from the scandal. Stefan starts work at the mine and she waits for him in the hostel with little to do. Her mother arrives. Unable to swallow the humiliation of having been rejected by Tanya's family, Stefan gets drunk. When he comes back, he starts a row and has to be restrained. Stefan takes offense, leaves the mine, parts with Tanya, and becomes a waiter in the pub. Soon he obtains a divorce. He wants to take Tanya back to his native town. She refuses to give up her new friends and the steady job she has found. Stefan sets out alone. At the very last moment, he jumps from the bus...

Shooting of a picture: to those, familiar with only from the screen, it is a entertainment. So, in a quiet Sofia street, a shooting crew starts their work. Bypassing begin to throng, curious people are looking out of the windows of the surrounding buildings. A scene is being shot of s short dialogue between the protagonists. It goes wrong all the time and is never complete. The mess gets beyond the comical, the true relations between the members of grew show and they do not look that excellent. At long last, the final scene is shot and the street is quiet again.

Rado, an orphan from a poor Sofia neighborhood, has been in and out of school for troubled youth for years. Although he is approaching adulthood, he is yet to finish 8th grade. He cannot reconcile his pride and sense of justice with the kind of education provided by people who are deprived of sensibility and human warmth. Rado asserts his right to freedom by frequently running away. During one of his escapes he meets the love of his life, Albena. She is a good student, and comes from a well-educated, sophisticated family. This new and unexpected connection intensifies Rado's desire for freedom and independence, and leads them both into uncharted territory.

The weaknesses and shortcomings in the work of some leaders in the years of the building of socialism are ridiculed.

Impersonating a knight is one of the favorite games of nine-year-old protagonist. Now as Don Quixote, now as D'Artagnan he is fighting evil, he is searching for justice and defending the weak. Together with his friends, packed in cardboard armor, they play all day long. As he is playing, however, he unwittingly witnesses the relation between his parents and gradually comes to understand that the world of the adults is far removed from the canons of knightly honor. His parents love him, but never seem to find the time to listen to his concerns. The deceit, corruption and lack of respect in his own family alienate the small boy. The only adult, whom the boy trusts, is his uncle to whom he is attached by a genuine, equal, man-to-man friendship. He takes him to the cinema and theater performances and talks to him like with his peer. Will this sensitive kid ever succeed in building an internal armor against selfishness and rudeness?

Chased by the military police force, the partisans Boyka and Anton take refuge in a cave. A grenade explosion dislodges the rock, which seals off the passage.

On a bright day loudspeakers blare out choral songs which blend with the marches played by brass bands. A light plane scatters leaflets. Everybody stretch out their hands to catch the falling pieces of paper and look up smiling. Several leaflets fly by the wall, which has a memorial plague, fixed on it: "Vaskata, an antifascist resister, died here in 1942."

A lawyer must decide whether to help a young man.

The film is based on Zahari Stoyanov's memoir "Notes On Bulgarian Uprisings" depicting the events around the April Uprising in 1876.

The action takes part from August 26 to September 9,1944 - the last days of the fascist regime in Bulgaria. At that time, following a decision made by the Central Committee of the Bulgarian Communist Party, all-out preparations for an uprising are under way. The central characters are real historical figures representing two antagonistic camps. The film chronicles a series of dramatic events: secret underground meetings, actions of the combat groups and the partisans, strikes and mass rallies, the last attempts of the regime to hold on to power. The film recreates the atmosphere on the eve of the uprising, which culminated in the main thrust: the seizure of the Defense Ministry in Sofia on the night before September 9.

Part one of this two-part epic follows the life and deeds of Boris I – a strong historic personality, which completes his mission to the full and at the end of his life receives holy orders.

Plyontek, a boy with a weak constitution and traumatized psyche. Sent to a sanatorium where established rules among graduates, black pirate threats and combat establishes its rules. Plyontek gradually becomes ruler of a small kingdom of bitter and abused subjects. The circle is close to the emergence of the next willing to participant to fight evil.

Knyaz Boris I reached the most important spiritual insight - the country needed a single language and script. It accepts students of Cyril and Methodius, creating Ohrid and Preslav Literary School. What other nations took centuries, for bulgarians takes place only about 20 years after their baptizing - introduced a Slavonic Alphabet.