We're in the Honey

The theatrical run of Popeye the Sailor from 1933 to 1957 represents one of the most enduring and influential eras in American animation history. Spanning 231 shorts, this golden age of Popeye evolved across two distinct production studios: the boundary-pushing, gritty Fleischer Studios (1933–1942) and the more formulaic, brightly colored Famous Studios (1942–1957). Together, they transformed E.C. Segar’s comic strip character into a global cinematic icon, establishing formulas and animation techniques that altered the medium forever.

Casper the Friendly Ghost is the protagonist of the Famous Studios theatrical animated cartoons of the same name. He is a pleasant, personable and translucent ghost, but often criticized by his three wicked uncles, the Ghostly Trio. The character was featured in 55 theatrical cartoons titled "The Friendly Ghost" from 1945 to 1959.

Olive runs a service station. The admiral pulls in and asks Olive to put some air in his tire, as he heads off to a cigar store. Meanwhile, the boys stop by on a 24-hour leave, and start to be "helpful" - which of course means that the tire, then the entire car, are in serious trouble. Not that Popeye doesn't do some amazing things to save the car; he carries it, atop a hoist, to the top of a very tall building under construction, then outruns it as it falls, and catches it, unscathed; the car is demolished, however, when Bluto snatches the hoist away and lets the car fall the remaining couple of meters onto Popeye. Spinach time: He manages to rebuild the car, apparently good as new, in the time it takes the admiral to walk back from the cigar store, so Bluto shoves him away to take credit. But the car falls to pieces when it's started, and the admiral puts Bluto on rust-scraping duty as Popeye and Olive float by in a rowboat.

Olive has a map to a sunken treasure, but Bluto stowed away and is determined to beat Popeye to it.

Gunfights are diminishing the population (1864- for the time being) in the tough Western town of Cactus Corners.

When the gentle woodcarver Geppetto builds a marionette to be his substitute son, a benevolent fairy brings the toy to life. The puppet, named Pinocchio, is not yet a human boy. He must earn the right to be real by proving that he is brave, truthful, and unselfish.

A beautiful girl, Snow White, takes refuge in the forest in the house of seven dwarfs to hide from her stepmother, the wicked Queen. The Queen is jealous because she wants to be known as "the fairest in the land," and Snow White's beauty surpasses her own.

Mickey, Donald and Goofy are a fire department. As you might expect, their attempts at fighting a boardinghouse fire are not particularly effective. They hear Clarabelle singing in the bathtub and rescue her, tub and all, against her will (she won't believe there's a fire).

Dumbo is a baby elephant born with over-sized ears and a supreme lack of confidence. But thanks to his even more diminutive buddy Timothy the Mouse, the pint-sized pachyderm learns to surmount all obstacles.

Popeye and Olive enter the city of Badgag and spot Bluto doing magic tricks. He hypnotizes Olive like a snake charmer. Bluto introduces himself as the Great Bourgeois and gives Olive a fancy dress, turns Popeye into a donkey, and sits on a bed of nails. Popeye pounces on the bed and turns it into springs. The boys next compete in snake charming; Popeye blows a hornpipe on his pipe. Bluto next turns Popeye into a parrot. Bluto then locks Olive in a basket and does the sword trick; Olive escapes and gives parrot Popeye his spinach, which revives him. Bluto escapes with the rope trick and a flying carpet, but Popeye uses his pipe like a rocket to get aloft. Another battle, with Popeye using Bluto's own magic to turn Bluto into a canary. Popeye and Olive fly the carpet home, past the Statue of Liberty.

One of several animated short versions of "Tom Thumb"

When a giant threatens the land, the cityfolk mistake Mickey's boast of killing seven flies with one blow to be giants. He is then forced to fight the giant for real.

A propaganda film during World War II about a boy who grows up to become a Nazi soldier.

Goofy shows us the national pastime. After a brief overview, we have a demonstration of the many possible pitches. On to the World Series, where we go through an eventful inning, culminating in a baseball that disintegrates when being hit.

Popeye and Olive are on an African safari, he with a rifle, she with a camera. Olive happens across a Tarzan-like man (Bluto), and she and he are immediately smitten with one another. Popeye catches wind of this and isn't about to stand for the jungle hunk muscling in on his girl. Let the fighting and one-upmanship begin.

Cookies, pastries, and other desserts have a parade.