The Caiman

Jasmine is 40 and has everything she ever wanted: a devoted husband, three loving sons, and a thriving hair salon just south of Naples. But after her father’s death, she experiences a recurring dream in which a young girl runs into her arms, offering Jasmine a new sense of fulfilment and completeness she can’t ignore. She decides to follow her dream of a daughter and dives headfirst into the challenging world of international adoption – risking her marriage, her sons’ well-being, and her own moral compass along the way. The entire family is in crisis, until they finally realize that the only way out is together.

Young Father Giulio returns to Rome, where he was born and raised, to replace a priest who has left the clergy to start a family. He is delighted to reunite with his loved ones, especially his mother, sister, and old friends. Once radical leftists like Giulio himself, the latter are now each coping in their own way with the defeat of the revolution. Soon, however, Giulio realizes that despite his best efforts, he seems unable to solve the problems troubling those around him.

Nanni Moretti recounts in his diary three slice-of-life stories marked by a dry, ironic gaze: in the first, he rides his Vespa through a deserted, sun-drenched summertime Rome; in the second, he visits a reclusive friend on an island, who ropes him into an impromptu journey between islets in search of quiet; and in the last, he finds himself grappling with an unknown illness.

Nanni Moretti once again muses on the ebb and flow of life in April 1996, as he is about to become a father for the first time and finds himself unable to focus on his documentary about the upcoming general elections, where the left is heading into a rematch against Berlusconi.

The story of a group of women immigrants in Rome, the majority from South America, working as caregivers or house cleaners, and all of them avid soccer fans. The film follows them during the Las Leonas Trophy matches and shares with us their private lives, jobs, perspectives, hopes, and expectations over the course of their very busy days.

After the coup d'État of the Democratic government of Allende, the embassy of Italy in Santiago played a major role in helping the opposers of the regime, and extradited many of them to Italy.

Michele is an MP for the Italian Communist Party who loses his memory in a car crash, though hardly anyone around him seems to notice. During a crucial water polo match on the eve of election day, he gradually begins to remember his past life, revealing a man whose personal and political identity crisis mirrors that of Italian communism itself.

Michele is a young filmmaker frustrated by the lack of understanding his work receives and at odds with the film industry, especially a colleague making a musical on the '68 student protests. As he struggles to complete his own film about Freud's mother, Michele's insecurity and creative block manifest in a series of unsettling nightmares. Nanni Moretti's self-inquiry into cinema, political ennui, and men's relationships with their mothers.

A psychoanalyst and his family go through profound emotional trauma when their son dies in a scuba diving accident.

Demonstrations of metalworkers, students, and their allies on the left, seen from the point of view of an increasingly disillusioned young leftist. Film produced for Nuova Sinistra.

An old film director, unhappy with the movie he's shooting about a Hungarian circus stranded in Rome during the 1956 anti-Soviet uprising, faces divorce from his producer wife and other problems.

Everyone in Marco's life seems constantly restless, from his brilliant but unhappily married parents to his own wife Marina, or even Luisa, the real love of his life, a girl he met during a fateful summer in the '70s and always stayed in touch with. Tragedy and fate seem to haunt him, yet he somehow manages never to get ensnared in the chaos—like his namesake, “the hummingbird”, he focuses all his energy at standing still.

The true story of the life of Gavino Ledda, the son of a Sardinian shepherd, and how he managed to escape his harsh, almost barbaric existence by slowly educating himself, despite violent opposition from his brutal father.

1989. Amid the collapse of the Eastern Bloc, the largest communist party in Western Europe—Italy's PCI—announces that it'll change its name, vowing to become 'a new thing'. The film follows the debates taking place in various PCI branches across Italy in the aftermath of this historic decision.

The newly elected Pope suffers a panic attack just as he is about to greet the faithful who have gathered to see him. His advisors, unable to convince him he is the right man for the job, call on a renowned therapist who also happens to be an atheist. But the Pope's fear of his newfound responsibility is one he must face alone. Winner Best Film at the Italian Golden Globes.