I Want to See the Manager

At night, a convoy of tractor crawlers rattle through the snow to groom the ski slopes. Just under 3000 metres in altitude, excavators dig into the ground using dynamite to build a reservoir for the preparation of artificial snow. Concrete blocks of apartments are springing up everywhere, while elsewhere in the mountains, young people have long since moved away and old people talk about how their hometown no longer has a future. Too many regions in the Alps have become dependent on hopelessly commercialized skiing. In PEAK, Hannes Lang observes the invasion and hostile takeover of the Alps by ski tourism and introduces us to the people affected: winners and losers, enthusiasts, sceptics and lost souls.

What is money? What are debts? What are the consequences of both? And how can images be found for them? In Oeconomia, Carmen Losmann undertakes a journey in the strategic heartlands of neoliberal policy.

The chimneys of the numerous power plants located in North Rhine-Westphalia emit a continuous stream of white clouds.

Since the dawn of time, the inhabitants of the Alps have used their own language to overcome the distance imposed by the mountainous orography. Riafn is a sort of dialect based on the different forms used by the shepherds and farmers of this area to call their beasts. The inhabitants of the mountains have thus cadenced their day-to-day life on calls to animals, the mooing of the cows, songs and the echo of the mountain. A sort of Alpine orchestra that helped them to cope with isolation.

After returning from a police mission in Afghanistan, Chief Inspector Harder is set to investigate a bog body found in a village called Friedland. The confrontation with Friedland's brutal history brings a grave guilt from Harder's own past to the surface and forces her to face the echo.